36th EDITION
36th EDITION
The 36th edition of Il Cinema Ritrovato will be the first without two people who have been fundamental to the history of our festival – two founders who seemed eternal but unfortunately left us recently. In 1959, in Porretta Terme, a town in the Apennines outside of Bologna, Gian Paolo Testa imagined creating an independent film festival, Mostra Internazionale del Cinema Libero, from which Il Cinema Ritrovato was born in 1986. Ever since 1962, Vittorio Boarini – along with the Bologna’s Arts and Culture Councillor Renato Zangheri – had believed that Bologna could be home to a great film archive. Without their passion, belief in institutions, culture and utopian recklessness, this festival would not exist today and we would not be here. In recent years, Gian Paolo was unable to come due to his illness, while Vittorio remained a faithful festival participant – even last year he and his partner hopped from one film to another. Every year Vittorio managed to tear us away from our festival commitments for an evening to celebrate the friendship that has always been the secret strength of our small, maverick festival. Friendship has helped to make the festival an important event bringing together a vast international community of cinephiles and the cinema of the past, which comes to life on the screens of Il Cinema Ritrovato – memory that speaks to us now and informs our future. Thanks Vittorio and Gian Paolo for everything you have taught us.
Isabella Rossellini, Alice Rohrwacher, JR, Jonathan Coe, Volker Schlöndorff, Amos Gitai, Nanni Moretti, Marco Tullio Giordana, Brigitte e Marian Lacombe, Bill Morrison, Thierry Fremaux, Isabelle Huppert, Paul Haggis
ESSENTIAL FELLINI (Italy, 1950-1987) – The Criterion Collection (blu-ray)
OUTSIDE. Morris Engel et Ruth Orkin Œuvres Complètes(USA, 1953-1968) – Carlotta Films (blu-ray)
DALEKÁ CESTA (Czech, 1948) by Alfréd Radok – Národní filmový archiv (blu-ray); VARIETY(USA, 1983) by Bette Gordon – Kino Lorber (blu-ray)
MÄDCHEN IN UNIFORM (Germany, 1931) by Leontine Sagan – BFI (blu-ray + dvd); MANDABI (Senegal, 1968) by Ousmane Sembène – The Criterion Collection (blu-ray)
JAZZ ON A SUMMER’S DAY (USA, 1959) by Bert Stern – Kino Lorber (blu-ray); PETER NESTLER. 9 Films de 1962 à 2008 (Germany, 1962-2009) – Survivance (dvd)
HAXÄN (Sweden, 1922) by Benjamin Christensen – Potemkine Film (blu-ray + dvd)
Shivendra Singh Dungarpur
SCORSESE SHORTS (USA, 1963-1978) by Martin Scorsese – The Criterion Collection (blu-ray)
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
tuesday 1 march
Galleria espositiva Modernissimo
sunday 19 june
Piazza Maggiore
The event is promoted by Coop Alleanza 3.0
(In case of rain the screening will take place at the Lumière Cinema, instead)
Section: Recovered & Restored
monday 20 june
Biblioteca Salaborsa – Piazza Coperta
Piazza Maggiore
Event promoted by Abruzzese e Associati
(In case of rain, the screening will take place at Jolly Cinema, instead)
tuesday 21 june
Grand Hotel Majestic
Section: FOREVER SOPHIA
Piazza Maggiore
Festa della musica. Pasolini 100
POTENTISSIMA SIGNORA
Concert to Laura Betti and Pier Paolo Pasolini
A Fondazione Entroterre production
In co-production with Fondazione Cineteca di Bologna
In collaboration with Conservatorio di Musica di Bologna Giovan Battista Martini, Associazione Culturale Ex B.
Cristiano Arcelli (direction and musical arrangements), Cristina Zavalloni (voice), Luca Damiani (narrating voice), Manuel Magrini (piano), Giancarlo Bianchetti (guitar), Stefano Senni (contrabbass), Alessandro Paternesi (drums), Cesare Carretta (violin), Orchestra da camera del Conservatorio G. B. Martini di Bologna.
Giacomo Gatti (video elaboration)
Musics by Carpi, Negri, Umiliani, Piccioni, Modugno
To Follow:
LA RICOTTA – Episodio di RoGoPaG
(In case of rain, the screening will take place at Lumière Cinema, instead)
Section: Recovered & Restored
wednesday 22 june
Arlecchino Cinema
Section: Recovered & Restored
Piazza Maggiore
(In case of rain, the event will take place at Lumière Cinema, instead)
Section: PETER LORRE: STRANGER IN A STRANGE LAND
thursday 23 june
Arlecchino Cinema
Section: Recovered & Restored
Piazza Maggiore
Event promoted by Lloyds Farmacia
(In case of rain, the screening will take place at Arlecchino Cinema, instead)
Section: Recovered & Restored
friday 24 june
Cinema Lumiere – Sala Scorsese
Introduced by
Gian Luca Farinelli
Section: Recovered & Restored - Documents and Documentaries
Piazza Maggiore
Introduced by
Nicolas Seydoux (Gaumont)
(In case of rain the screening will take place at Arlecchino Cinema, instead)
Section: Recovered & Restored
saturday 25 june
Biblioteca Renzo Renzi
Arlecchino Cinema
Section: FOREVER SOPHIA
Jolly Cinema
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Great small gauges
Auditorium DAMSLab
Conversation between Gianni Amelio and Gian Luca Farinelli
Sala Cervi
Arlecchino Cinema
Introduced by
Marta Donzelli and Alberto Anile (CSC-Cineteca Nazionale), Giuseppe Lanci (cinematographer) and Andrej A. Tarkovskij
Section: Recovered & Restored
Europa Cinema
Introduction curated by Cinema Ritrovato Young
Section: FOREVER SOPHIA
Jolly Cinema
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
Alexander Jacoby and Johan Nordström
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Auditorium DAMSLab
Section: Documents and Documentaries
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Europa Cinema
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Manuela Padoan (Newsreel), Mariann Lewinsky and Karl Wratschko (Die Gezeichneten)
Piano accompaniment by
Maud Nelissen, harp accompaniment by Eduardo Raon
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Auditorium DAMSLab
Conversation with Stefania Sandrelli
Section: Recovered & Restored
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Piazza Maggiore
Event promoted by ACE – Association des Cinémathèques Européennes inside the program Creative Europe MEDIA of the European Commission
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema – Sala Scorsese, instead)
Section: Recovered & Restored
sunday 26 june
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Cinema Lumiere – Sala Officinema/Mastroianni
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Auditorium DAMSLab
Section: Recovered & Restored - Cinemalibero
Sala Cervi
Auditorium DAMSLab
Section: Recovered & Restored - One hundred years ago
Europa Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Mariann Lewinsky and Karl Wratschko
Section: Century of Cinema
Arlecchino Cinema
Section: FOREVER SOPHIA
Jolly Cinema
Introduced by
Cassandra Moore (Universal), Dave Kehr and Ehsan Khoshbakht
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Stephen Horne
Section: Recovered & Restored - One hundred years ago
Auditorium DAMSLab
Conference by Michel Ciment (Positif)
Section: Recovered & Restored
Arlecchino Cinema
Introduced by
Alexander Horwath
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Introduced by
Mina Radović
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Sala Cervi
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Emilie Cauquy (La Cinémathèque française), Hiroshi Komatsu (Waseda University) and Mariann Lewinsky
Piano accompaniment by
Donald Sosin
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Introduced by
Alexander Jacoby and Johan Nordström
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Auditorium DAMSLab
Section: Documents and Documentaries
Jolly Cinema
Section: Cinemalibero
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Introduced by
Caterina D’Amico and Frédéric Bonnaud
With a 15’ break
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
For MÉNILMONTANT piano accompaniment by Stephen Horne
For Brumes d’Automne music composed and recorded by Paul Devred
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: PETER WEISS – POETRY IN MOTION
Auditorium DAMSLab
Section: Documents and Documentaries
Sala Cervi
Introduced by Igor Prassel
Section: Il Cinema Ritrovato Kids & Young
Europa Cinema
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Manon Billaut (Fondation Jérôme Seydoux-Pathé introducing the films by George Berr) and Sophie Seydoux (Fondation Jérôme Seydoux-Pathé introducing Les Misérables)
Piano accompaniment by
Daniele Furlati (films by George Berr) e John Sweeney (Les Misérables)
Section: Recovered & Restored - Great small gauges
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Sala Cervi
Introduced by Louise Deschamps
Section: Il Cinema Ritrovato Kids & Young
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Auditorium DAMSLab
Conversation with Alice Rohrwacher
Piazzetta Pier Paolo Pasolini
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Introduced by
Philippe Le Guay and Nick Varley
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Piazza Maggiore
Introduced by
Alice Rohrwacher and le “pupille”
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema – Sala Scorsese)
Section: Recovered & Restored
monday 27 june
Piazzetta Pier Paolo Pasolini
Harp accompaniment by Eduardo Raon, drums accompaniment by Frank Bockius
(In case of rain, the screening will take place at Sala Mastroianni, instead)
Section: Documents and Documentaries - One hundred years ago
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Official screening on Friday 1 July at 14:00
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Cinema Lumiere – Sala Officinema/Mastroianni
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Auditorium DAMSLab
The restoration of La ricotta “director’s cut”
Meeting with Francesca Angelucci and Alberto Anile (CSC-Cineteca Nazionale)
During the meeting, screening of the film
LA RICOTTA DIRECTOR’S CUT – Episodio di RoGoPaG (Italia-Francia/1963)
R.: Pier Paolo Pasolini. D.: 38’. V. italiana
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by Duncan Scott (Duncan Scott Productions)
Section: Recovered & Restored
Sala Cervi
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Tamara Shvediuk (Gosfil’mofond) and Mariann Lewinsky
Section: Recovered & Restored
Auditorium DAMSLab
Roundtable discussion with Stephen Bearman (Silver Salt), Lee Kline (The Criterion Collection), James Mockoski (American Zoetrope), Vincent Pirozzi (Roundabout), James White (Arrow Films), Davide Pozzi (L’Immagine Ritrovata)
Section: Recovered & Restored
Arlecchino Cinema
Introduced by
Emiliano Morreale
Section: FOREVER SOPHIA
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Kate Guyonvarch (Roy Export/Association Chaplin) and Cecilia Cenciarelli
Piano accompaniment by
Stephen Horne, drums accompaniment by Frank Bockius
Section: One hundred years ago
Auditorium DAMSLab
Conference by Francesco Rufini
Section: Documents and Documentaries - Recovered & Restored - One hundred years ago
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Sala Cervi
Jolly Cinema
Introduced by
Antti Alanen (National Audiovisual Institute, Finland) and Anna von Bagh
With a 15’ break
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Tamara Shvediuk (introducing La Danseuse de Siva), Emilie Cauquy, Hiroshi Komatsu and Mariann Lewinsky
Harp accompaniment by Eduardo Raon
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET - Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Auditorium DAMSLab
Introduced by
Riccardo Costantini (Cinemazero)
Section: Documents and Documentaries
Arlecchino Cinema
Introduced by
Sophie Seydoux (Fondation Jérôme Seydoux-Pathé)
Section: Recovered & Restored
Europa Cinema
Introduction curated by Cinema Ritrovato Young
Section: Il Cinema Ritrovato Kids & Young - Recovered & Restored
Biblioteca Renzo Renzi
Auditorium DAMSLab
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Pénélope Riboud-Seydoux (Fondation Jérôme Seydoux-Pathé)
Recorded music composed by Keyvan Chemirani, performed by Keyvan Chemirani (percussion, Indian santur, drum, clay jug, Persian zarb), Benjamin Moussay (piano), Sylvain Barou (bansuri flute, Armenian doudouk), Michel Guay (zither, tanpura), Léon Rousseau (recording and mixing).
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by Jon Wengström and Stefan Ramstedt (Svenska Filminstitutet)
Section: PETER WEISS – POETRY IN MOTION
Sala Cervi
Introduced by Igor Prassel
Section: Il Cinema Ritrovato Kids & Young
Biblioteca Renzo Renzi
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Arlecchino Cinema
Introduced by Frédéric Bonnaud (La Cinémathèque française)
Section: Recovered & Restored
Europa Cinema
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by Gabriel Thibaudeau and violin by Silvia Mandolini
Section: Recovered & Restored
Sala Cervi
Section: Il Cinema Ritrovato Kids & Young
Auditorium DAMSLab
Dialogue between Silvia D’Amico, Caterina D’Amico and Gianni Amelio
Section: Recovered & Restored
Piazzetta Pier Paolo Pasolini
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Scorsese
Introduced by
Tereza Frodlová and Jonáš Kucharský
Section: Recovered & Restored
Piazza Maggiore
Introduced by
Robert Byrne (San Francisco Silent Film Festival), Dave Kehr (MoMA) and Cecilia Cenciarelli
Event promoted bt Aeroporto G. Marconi Bologna
(In case of rain the screening will take place at Teatro Comunale or will be canceled)
Section: Recovered & Restored - One hundred years ago
tuesday 28 june
Europa Cinema
Section: Recovered & Restored
Jolly Cinema
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Daniele Furlati
Léon Sazie’s adventure serial Zigomar appeared in Parisian newspaper “Le Matin” from 7 December 1909 to 22 May 1910. After this daily publication, it was also published as a brochure by the publisher Ferenczi, with catchy cover art drawn by Georges Vallée. Appearing every Wednesday at the newsstand, Sazie’s Zigomar became one of the most popular serials of this period and this popularity caused the appearance of the similar picaresque serials such as Fantômas by Marcel Allain and Pierre Souvestre.
With an eye on its success, Éclair planned to adapt this long serial – 23 brochures in total – in cinematic form. Right from the start, Zigomar was planned as a trilogy. Victorin Jasset, the artistic director of Éclair, obviously aimed to achieve a cinematic equivalent to the popular serial story. It was an audacious project. Discussing the difficulty of adapting a serial novel for the cinema, he wrote that “the means of the serial novel and those of theatrical cinematography are absolutely opposed. The novel says everything, explains everything and does not shy away from length. The cinema must, without having recourse to words, make itself understood by the simple spectacle of the facts and never insist, the spectator being placed in front of the film like a curious person in front of a news item, at the corner of the street.” (“Ciné-Journal”, 5 August 1911) Therefore the storyline had to be made as simple as possible and visual pleasure was of the utmost importance. The psychological developments of the characters are scarce and the spectators witness the unbelievable and bold actions as if they are bystander witnesses. Accordingly, the story created by Léon Sazie was reduced to nearly nothing – if one forgives the exaggeration. In the first Zigomar, the bandit kidnaps Riri-la-Jolie, a charming young girl, and Paulin Broquet fights Zigomar in order to save her. Because this is a simple pretext for visual pleasure, the spectator’s concern focuses on the action and the strikingly beautiful mise en scène in each episode.
The first Zigomar film was released on 14 September 1911 in Paris and about one month later in provincial cities in France. However, Éclair seems to have shipped the prints earlier to the foreign markets. “Ciné-Journal” reports that Zigomar was shown at a press screening in August in Russia and the audience praised the beautifully choreographed dance scenes (“Ciné-Journal”, 19 August, 1911). However, Zigomar left especially deep footprints in Japanese film history. The first Zigomar was released in November 1911 in Tokyo. It was a big hit. The trilogy was adapted into many novels. Also two film companies made their own Japanese Zigomar films. Fearing its impact on society, Japanese police banned Zigomar films in October 1912. It is interesting to see that, even after this decision, the first and second Zigomar films seem to be shown without mentioning the name of Zigomar everywhere in Japan. The third Zigomar – Zigomar, peau d’anguille – was therefore shown under the Japanese title of The Triumph of the Detective. The National Film Archive of Japan owns three different Zigomar prints. Among them the print from Yukinobu Toba’s collection keeps the most integral version of the first Zigomar. Particularly it contains such important scenes as the dance of the will-o’-the-wisps at the Moulin Rouge, which was so much praised in 1911. This performance by the dancer Esmée has an echo of Loïe Fuller’s dances with its lighting effects. Such dreamlike scenes give this film a fantastic quality.
Hiroshi Komatsu
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Sala Cervi
Auditorium DAMSLab
Section: Recovered & Restored
Arlecchino Cinema
Section: FOREVER SOPHIA
MAMbo
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Byrony Dixon (BFI)
Piano accompaniment by
Gabriel Thibaudeau
Section: Century of Cinema
Auditorium DAMSLab
From the analysis of the existing elements to the film recording
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
Gianfranco Giagni e Luca Celada (HFPA)
Section: Recovered & Restored
Arlecchino Cinema
Introduced by
Emiliano Morreale
Section: FOREVER SOPHIA
Jolly Cinema
Introduced by
Imogen Sara Smith
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Harp accompaniment by Eduardo Raon
Section: One hundred years ago
Auditorium DAMSLab
Conference by Frédéric Bonnaud (La Cinémathèque française)
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Introduced by
Vjeran Pavlinic ́ (Croatian Cinematheque)
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Sala Cervi
MAMbo
Auditorium DAMSLab
A seguire Q&A con Marc Shaffer e Marta Braun
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Jeanne Pommeau (Národní filmový archiv)
Piano accompaniment by
Maud Nelissen
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Europa Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Anne Gourdet-Marès e Elvira Shahmiri (Fondation Jérôme Seydoux-Pathé)
Piano accompaniment by
Stephen Horne
Section: Great small gauges
Arlecchino Cinema
Introduced by
Régine Vial (Les Films du Losange)
Section: Recovered & Restored
Jolly Cinema
Introduced by
Moïra Chappedelaine-Vautier, Paola Scarnati (Aamod) e Zineb Sedira
Section: Cinemalibero
Cinema Lumiere – Sala Scorsese
Section: PETER WEISS – POETRY IN MOTION
Sala Cervi
Piano accompaniment by Daniele Furlati
Section: Il Cinema Ritrovato Kids & Young
Auditorium DAMSLab
Introduced by
Mitra Farahani
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
David Landolf and Brigitte Paulowitz
Piano accompaniment by
Donald Sosin
Section: Great small gauges
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Europa Cinema
Section: Documents and Documentaries
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
MAST
Introduced by
Paolo Di Paolo and Bruce Weber
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Andrea Peraro and Karl Wratschko
Drums accompaniment by Valetina Magaletti
Section: One hundred years ago
Piazzetta Pier Paolo Pasolini
Auditorium DAMSLab
Conversation with Philippe Bober (Coproduction Office)
Europa Cinema
Section: Recovered & Restored
Serre dei Giardini Margherita
Section: Il Cinema Ritrovato Kids & Young
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Serre dei Giardini Margherita
Section: Il Cinema Ritrovato Kids & Young
Piazza Maggiore
Introduced by
Thierry Frémaux (Festival de Cannes)
Live acompaniment by CW03 and CW04 from the finnish band Cleaning Women
Event promoted by Ottica Garagnani
(In case of rain, the screening will take place in Arlecchino Cinema, instead)
Section: Recovered & Restored
wednesday 29 june
Europa Cinema
Section: Recovered & Restored
Jolly Cinema
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Sala Cervi
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Harp accompaniment by Eduardo Raon
Section: Century of Cinema
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Arlecchino Cinema
Section: FOREVER SOPHIA
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
John Sweeney, harp accompaniment by Eduardo Raon
Section: Recovered & Restored - One hundred years ago
Auditorium DAMSLab
Dialogue between Thierry Frémaux and Gian Luca Farinelli
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
MAMbo
Auditorium DAMSLab
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Maud Nelissen, drums accompaniment by Frank Bockius
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Close Looks
A close focus on things, and an intimate perception of material realities, create and reflect a form of thinking through things. The films allow insights into the fragility of life and the significance of history that leaves its traces in those things. Overlooked, discarded or forgotten objects find loving, acute and attentive perception in the lens of the camera, and the gestures of the filmmakers.
Annette Brauerhoch
Section: Great small gauges
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Biblioteca Renzo Renzi
Auditorium DAMSLab
Introduced by
Angie Bucknell (Criterion) and Cecilia Cenciarelli
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
David Landolf and Brigitte Paulowitz
Section: Great small gauges
Jolly Cinema
Introduced by
Vivien Kristin Buchhorn (curator of Shahid Saless Archive)
Section: Cinemalibero
Sala Cervi
Introduced by Eric Rittatore
Section: Il Cinema Ritrovato Kids & Young
Europa Cinema
Section: Documents and Documentaries
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Sala Cervi
Section: Il Cinema Ritrovato Kids & Young
Piazzetta Pier Paolo Pasolini
Arlecchino Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Hervé Pichard (La Cinémathèque française) and Arianna Turci (Cinémathèque Royale de Belgique)
Piano accompaniment by
Stephen Horne, drums accompaniment by Frank Bockius
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Auditorium DAMSLab
Conference by Christopher Frayling
Section: Recovered & Restored - One hundred years ago
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Piazzetta Pier Paolo Pasolini
Galleria espositiva Modernissimo
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Teatro Testoni Ragazzi
Section: Il Cinema Ritrovato Kids & Young
Piazza Maggiore
Introduced by
Lee Kline (Criterion), Roberto Turigliatto (Locarno Film Festival) and Bernard Eisenschitz
Special event
Homage to Nino Rota
Cristina Zavalloni (voice), Manuel Magrini (piano)
To follow:
Recovered and Restored
WRITTEN ON THE WIND
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema – Sala Scorsese, instead)
Section: Recovered & Restored
thursday 30 june
Piazzetta Pier Paolo Pasolini
Introduced by
Andrea Peraro and Karl Wratschko
Sonorization by Laura Agnusdei (tenor sax and electronics), Agnese Banti (voice and electronics), Stefano Pilia (guitar and electronics) and Cecilia Stacchiotti (keyboards and electronics)
Section: One hundred years ago
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Léon Sazie’s adventure serial Zigomar appeared in Parisian newspaper “Le Matin” from 7 December 1909 to 22 May 1910. After this daily publication, it was also published as a brochure by the publisher Ferenczi, with catchy cover art drawn by Georges Vallée. Appearing every Wednesday at the newsstand, Sazie’s Zigomar became one of the most popular serials of this period and this popularity caused the appearance of the similar picaresque serials such as Fantômas by Marcel Allain and Pierre Souvestre. With an eye on its success, Éclair planned to adapt this long serial – 23 brochures in total – in cinematic form. Right from the start, Zigomar was planned as a trilogy. Victorin Jasset, the artistic director of Éclair, obviously aimed to achieve a cinematic equivalent to the popular serial story. It was an audacious project. Discussing the difficulty of adapting a serial novel for the cinema, he wrote that “the means of the serial novel and those of theatrical cinematography are absolutely opposed. The novel says everything, explains everything and does not shy away from length. The cinema must, without having recourse to words, make itself understood by the simple spectacle of the facts and never insist, the spectator being placed in front of the film like a curious person in front of a news item, at the corner of the street.” (“Ciné-Journal”, 5 August 1911) Therefore the storyline had to be made as simple as possible and visual pleasure was of the utmost importance. The psychological developments of the characters are scarce and the spectators witness the unbelievable and bold actions as if they are bystander witnesses. Accordingly, the story created by Léon Sazie was reduced to nearly nothing – if one forgives the exaggeration. In the first Zigomar, the bandit kidnaps Riri-la-Jolie, a charming young girl, and Paulin Broquet fights Zigomar in order to save her. Because this is a simple pretext for visual pleasure, the spectator’s concern focuses on the action and the strikingly beautiful mise en scène in each episode. The first Zigomar film was released on 14 September 1911 in Paris and about one month later in provincial cities in France. However, Éclair seems to have shipped the prints earlier to the foreign markets. “Ciné-Journal” reports that Zigomar was shown at a press screening in August in Russia and the audience praised the beautifully choreographed dance scenes (“Ciné-Journal”, 19 August, 1911). However, Zigomar left especially deep footprints in Japanese film history. The first Zigomar was released in November 1911 in Tokyo. It was a big hit. The trilogy was adapted into many novels. Also two film companies made their own Japanese Zigomar films. Fearing its impact on society, Japanese police banned Zigomar films in October 1912. It is interesting to see that, even after this decision, the first and second Zigomar films seem to be shown without mentioning the name of Zigomar everywhere in Japan. The third Zigomar – Zigomar, peau d’anguille – was therefore shown under the Japanese title of The Triumph of the Detective. The National Film Archive of Japan owns three different Zigomar prints. Among them the print from Yukinobu Toba’s collection keeps the most integral version of the first Zigomar. Particularly it contains such important scenes as the dance of the will-o’-the-wisps at the Moulin Rouge, which was so much praised in 1911. This performance by the dancer Esmée has an echo of Loïe Fuller’s dances with its lighting effects. Such dreamlike scenes give this film a fantastic quality.
Hiroshi Komatsu
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by Daniele Furlati and drums accompaniment by Frank Bockius
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
Valeria Rotella (The Criterion Collection)
Section: Recovered & Restored
Auditorium DAMSLab
Section: Recovered & Restored
Arlecchino Cinema
Section: FOREVER SOPHIA
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Andrea Meneghelli
Piano accompaniment by
Antonio Coppola
Section: Recovered & Restored
Auditorium DAMSLab
Conversation between Mina Radovic ́ and Sergio Grmek Germani
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Auditorium DAMSLab
Section: Documents and Documentaries
Cinema Lumiere – Sala Scorsese
Introduced by
Lutz Garmsen and Karola Gramann
Section: Great small gauges
Cinema Lumiere – Sala Officinema/Mastroianni
For PROTÉA, piano accompaniment by John Sweeney. Introduced by Emilie Cauquy
To follow, SERPENTIN FAIT DE LA PEINTURE e On the Trail of the Tigress with piano accompaniment by Donald Sosin. Introduced by Bruno Mesdagh (Cinémathèque Royale de Belgique)
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET - Recovered & Restored
Arlecchino Cinema
Introduced by
Olivia Harrison, Roland Chammah and Gian Luca Farinelli
Section: Recovered & Restored
Europa Cinema
Section: Recovered & Restored
Jolly Cinema
Section: Cinemalibero
Auditorium DAMSLab
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
The potential tension in the relationship between movement and stasis is often related to gender constellations. Movement (the freedom of ) and the outdoors are traditionally assigned to the male; stasis and the indoors culturally produced as predominantly female realms. The films play subversively with those conventions.
Annette Brauerhoch
Section: Great small gauges
Sala Cervi
Section: Il Cinema Ritrovato Kids & Young
Arlecchino Cinema
Section: Recovered & Restored
Europa Cinema
Section: Documents and Documentaries
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Tim Lanza and Cecilia Cenciarelli
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Sala Cervi
Section: Recovered & Restored
Auditorium DAMSLab
Section: Recovered & Restored
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Piazza Maggiore
Introduced by
Cecilia Cenciarelli
Event promoted by Pelliconi
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema – Sala Scorsese, instead)
Section: Documents and Documentaries
friday 1 july
Piazzetta Pier Paolo Pasolini
Piano accompaniment Gabriel Thibaudeau and drums accompaniment by Frank Bockius
Section: Century of Cinema
Europa Cinema
Introduced by
Gerard and Christar Damiano, and Andrea Meneghelli
Section: Recovered & Restored
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
by Stephen Horne. Recorded musics composed by Paul Devred.
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Auditorium DAMSLab
Section: Recovered & Restored
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
by Stephen Horne
Section: Recovered & Restored - Century of Cinema
Cinema Lumiere – Sala Scorsese
Introduced by Babak Karimi
Section: Recovered & Restored
Arlecchino Cinema
Section: FOREVER SOPHIA
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Gabriel Thibaudeau
Section: One hundred years ago
Auditorium DAMSLab
Conversation between Rinaldo Smordoni, Mimmo Verdesca and Paolo William Tamburella
Section: Recovered & Restored
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by Bryony Dixon
Piano accompaniment by
by John Sweeney
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Introduced by Arby Ovanessian
Section: Recovered & Restored
Auditorium DAMSLab
Section: Documents and Documentaries
Europa Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by Serge Bromberg (Lobster Films), Tim Lanza (Cohen Film Collection) and Cecilia Cenciarelli
Piano accompaniment by
by Serge Bromberg
Section: Recovered & Restored
Arlecchino Cinema
Introduced by Rinaldo Smordoni, Mimmo Verdesca and Paolo William Tamburella
Section: Recovered & Restored
Jolly Cinema
Introduced by Michelle O’Halloran (Queen’s University) and Ehsan Khoshbakh
Section: Cinemalibero
Biblioteca Renzo Renzi
Cinema Lumiere – Sala Scorsese
Section: Great small gauges
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Donald Sosin and drums by Frank Bockius
Section: Recovered & Restored
Auditorium DAMSLab
Introduced by
Peter Conheim (video message)
Section: Documents and Documentaries - Great small gauges
Sala Cervi
Section: Il Cinema Ritrovato Kids & Young
Biblioteca Renzo Renzi
Europa Cinema
Section: Documents and Documentaries
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Janneke van Dalen (Österreichisches Filmmuseum)
Piano accompaniment by
Donald Sosin and Antonio Coppola
Section: Recovered & Restored - One hundred years ago
Sala Cervi
Section: Il Cinema Ritrovato Kids & Young
Galleria espositiva Modernissimo
Arlecchino Cinema
Introduced by Paul Malcolm (UCLA Film & Television Archive)
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Arena del Sole
Section: Recovered & Restored
Piazzetta Pier Paolo Pasolini
Europa Cinema
Section: Recovered & Restored
Giardino del Guasto
Section: Il Cinema Ritrovato Kids & Young
Arlecchino Cinema
Introduced by
James Mockoski (American Zoetrope)
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Piazza Maggiore
Introduced by
Ehsan Khoshbakht
Event promoted by Stefauto
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema – Sala Scorsese, instead)
Section: Recovered & Restored
saturday 2 july
Europa Cinema
Introduced by Andrea Meneghelli
Section: Recovered & Restored
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Section: Cinemalibero
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: KENJI MISUMI: AN INSTINCTIVE AUTEUR
Auditorium DAMSLab
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Arlecchino Cinema
Section: FOREVER SOPHIA
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Auditorium DAMSLab
Conference by Deborah Nadoolman Landis
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Century of Cinema
Arlecchino Cinema
Introduced by
Olaf Möller
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Jolly Cinema
Introduced by
Sergio Grmek Germani
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Auditorium DAMSLab
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Section: THE POISONED FLOWERS OF VICTORIN-HIPPOLYTE JASSET
Cinema Lumiere – Sala Scorsese
Introduced by
Jonáš Kucharský
Section: Recovered & Restored
Jolly Cinema
Section: Cinemalibero
Auditorium DAMSLab
Introduced by
Alexander Horwath and Olaf Möller
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Europa Cinema
Section: Cinema Ritrovato Young - Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: PETER WEISS – POETRY IN MOTION
Sala Cervi
Section: Il Cinema Ritrovato Kids & Young
Auditorium DAMSLab
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Donald Sosin, and Frank Bockius on drums
Section: One hundred years ago
Europa Cinema
Section: Documents and Documentaries
Cinema Lumiere – Sala Scorsese
Section: THE LAST LAUGH: GERMAN MUSICAL COMEDIES, 1930-32
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: THE DRIFTER’S ESCAPE: HUGO FREGONESE
Auditorium DAMSLab
Europa Cinema
Section: Documents and Documentaries
Jolly Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Cinema Lumiere – Sala Scorsese
Section: Recovered & Restored
Piazza Maggiore
Introduced by
Gabriele Mainetti
Musics written and directed by Timothy Brock, performed by Orchestra del Teatro Comunale di Bologna
Event promoted by Mare Termale Bolognese
(In case of rain, the screening will take place at Teatro Comunale or will be canceled)
Section: Recovered & Restored - One hundred years ago
sunday 3 july
Europa Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored - Documents and Documentaries - THE DRIFTER’S ESCAPE: HUGO FREGONESE
Arlecchino Cinema
Section: “TELL THE TRUTH!” – A VIEW INTO YUGOSLAV CINEMA
Arlecchino Cinema
Section: Cinemalibero
Arlecchino Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: PETER LORRE: STRANGER IN A STRANGE LAND
Piazza Maggiore
Event promoted by Gruppo Hera
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema, instead)
Section: Recovered & Restored
monday 4 july
Arlecchino Cinema
Introduced by
John Landis (in video)
Section: Recovered & Restored
Jolly Cinema
Introduced by
John Landis (in video)
Section: Recovered & Restored
Europa Cinema
Introduced by
John Landis (in video)
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
John Landis (in video)
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
John Landis (in video)
Section: Recovered & Restored
Piazza Maggiore
Introduced by
Wes Anderson
(In case of rain, the screening will take place at Arlecchino Cinema, Jolly Cinema and Lumière Cinema)
Section: Recovered & Restored
tuesday 5 july
Piazza Maggiore
Event promoted by Trenitalia Tper
(In case of rain, the screening will take place at Lumière Cinema, instead)
Section: Recovered & Restored
wednesday 6 july
Piazza Maggiore
(In case of rain, the screening will take place at Cinema Lumière, instead)
Section: Recovered & Restored
thursday 7 july
Piazza Maggiore
La riffa – Episodio di Boccaccio ’70
(Italia-Francia/1962)
R.: Vittorio De Sica. D.: 50’. V. italiana
Mara – Episodio di Ieri, oggi, domani
(Yesterday, Today and Tomorrow, Italia-Francia/1963)
R.: Vittorio De Sica. D.: 45’. V. italiana
(In case of rain, the screening will take place at Lumière Cinema, instead)
Section: FOREVER SOPHIA
friday 8 july
Piazza Maggiore
(In case of rain, the screening will take place at Cinema Lumière, instead)
Section: Recovered & Restored
saturday 9 july
Piazza Maggiore
(In case of rain, the screening will take place at Lumière Cinema, instead)
Section: Recovered & Restored
sunday 10 july
Piazza Maggiore
(In case of rain, the screening will take place at Lumière Cinema, instead)
Section: Documents and Documentaries
