32ND EDITION
32th EDITION
How should one negotiate a festival that, over the course of eight days, showcases more than 500 titles (shorts, features, animations, documentaries) produced on five continents between 1888 (a Chronophotography) and the present day? A film festival is a concrete, rather than theoretical, thing and so we should begin with places and people. One thing that is new about the 2018 edition is that it begins with two events that take place ten days before the official opening of the festival and far from Piazza Maggiore, in the DOM in Pilastro and the Teatro Centofiori in Corticella. The metropolitan borough of Bologna is now home to over one million inhabitants and the citizens who fill the festival’s venues come from all over the city. This year we would like the festival to begin to move beyond the city centre, travelling through the periphery and next year arriving in other boroughs within the city limits.
Martin Scorsese; Marina Vlady; Anna Karina; Emi De Sica; Mario Martone; Jonas Carpignano; Alice Rochwacher; Valeria Golino; Matteo Garrone; Luca Guadagnino; Luciano Tovoli; Christopher Frayling; Giuseppe Tornatore; Thierry Fremaux; Julij Fajt; Margarethe von Trotta; John Bailey; Rajendra Roy; Patrica Birch; Michele Emmer
100 YEARS OF OLYMPIC FILMS: 1912–2012 (autori vari, 1912-2012) – The Criterion Collection (Blu-ray + Dvd); ANDREI TARKOVSKI, L’INTÉGRALE (URSS, 1962-1986) – Potemkine Films (Blu-ray + Dvd)
GERMAN CONCENTRATION CAMPS FACTUAL SURVEY (GB, 1945) di Sidney Bernstein – BFI, Imperial War Museum (Blu-ray + Dvd)
MARQUIS DE WAVRIN (Belgio, 1924-1937) di Marquis Robert de Wavrin – CINEMATEK (Dvd)
VAMPIR CUADECUC (Spagna, 1970) di Pere Portabella – Second Run (Dvd + Blu-ray) ; BEHIND THE DOOR (USA, 1919) di Irvin H. Willat – Flicker Alley (Blu-ray + Dvd)
ARNE SUCKSDORFF: SAMLADE VERK (Svezia, 1940-1972) – Studio S Entertainment
Shivendra Singh Dungapur
JEAN-PIERRE MELVILLE COLLECTION (Francia, 1946-1972) – Studiocanal (Dvd)
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
The Cinephiles’ Heaven
friday 22 june
Salaborsa (piazza coperta)
Biblioteca Renzo Renzi
Biblioteca Renzo Renzi
saturday 23 june
Cinema Lumiere – Sala Scorsese
Cinema Modernissimo
Introduced by
Cecilia Cenciarelli, Mariann Lewinsky, Ehsan Khoshbakht and Gian Luca Farinelli
Piano accompaniment by
Daniele Furlati
Section: One hundred years ago
Arlecchino Cinema
Introduced by
Volker Schlöndorff and Frédéric Bonnaud
Section: Recovered & Restored
Jolly Cinema
Introduced by
Dave Kehr
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Introduced by
Marianne Dautrey, Hervé Joubert-Laurencin and Roberto Chiesi
Section: Documents and Documentaries
Sala Cervi
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Bryony Dixon (BFI National Archive)
Piano accompaniment by
Stephen Horne
Section: Recovered & Restored
Jolly Cinema
Introduced by
Roberto Chiesi
Two Emmer’s commercials for Carosello will be shown before the show
Section: Luciano Emmer 100: The Art of Gazing - Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Hiroshi Komatsu, Chiruzu Usui (National Film Archive of Japan) and Andrea Meneghelli (Cineteca di Bologna)
Piano accompaniment by
Mie Yanashita
Section: Arrigo Frusta and The Writing Workshop
Arlecchino Cinema
Introduced by
Nicolas Seydoux (Gaumont)
Section: Censored, Recovered, Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Camille Blot-Wellens
Piano accompaniment by
Gabriel Thibaudeau
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
Peter Bagrov
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by Daniele Furlati
Section: One hundred years ago
Cinnoteca
Jolly Cinema
Introduced by
Marie Claire Kuo and Tony Rayns
Section: The Rebirth of Chinese Cinema (1941-1951)
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Elena Correra, Mariann Leqinsky, Luciano Stella and Carolina Terzi
Piano accompaniment by
Gabriel Thibaudeau
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli - 1898: Year Three of Cinema - One hundred years ago
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Teatro Comunale di Bologna
Cinema Modernissimo
Piano accompaniment by
Donald Sosin
Section: One hundred years ago
Arlecchino Cinema
(In case of rain, the screening will be moved to Cinema Jolly and replace the actual screening)
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Antonio Coppola
Section: One hundred years ago
Jolly Cinema
Section: Luciano Emmer 100: The Art of Gazing
Cinema Lumiere – Sala Scorsese
Section: Censored, Recovered, Restored
Piazza Maggiore
Introduced by
Martin Scorsese, Olivia Harrison and Margaret Bodde (The Film Foundation)
Promoted by Gruppo Hera
(In case of rain, the screening will be moved to Cinema Arlecchino and replace the actual screening)
Section: Recovered & Restored
sunday 24 june
Arlecchino Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Gabriel Thibaudeau
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by
Matti Bye
Section: One hundred years ago
Sala Cervi
Jolly Cinema
Introduced by
Ehsan Khoshbakht e Jay Weissberg
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Caroline Fournier, Jeanne Pommeau, Mariann Lewinsky and Karl Wratschko
Piano accompaniment by
Donald Sosin
Section: One hundred years ago
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Cinema Lumiere – Sala Scorsese
Introduced by
Paula Félix Didier (Direttrice Museo del Cine Pablo Ducros Hicken)
Section: Cinemalibero
Introduce Roland Sejko
Next the presentation of Archivio dell’Istituto Luce
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Daniele Furlati and Frank Bockius on the drums
Section: One hundred years ago
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Sala Cervi
Arlecchino Cinema
Introduced by
Céline Ruivo (Cinémathèque française)
Section: In Search of Color: Technicolor & Co.
Jolly Cinema
Introduced by
Chema Prado
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Bryony Dixon
Musica registrata composta da Anoushka Shankar su commissione del BFI National Archive
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Christine Leteux
Section: Censored, Recovered, Restored
Introduced by
Maria Pia Ammirati (RAI Teche) and Sergio Toffetti (Museo Nazionale del Cinema di Torino)
Section: Documents and Documentaries
Jolly Cinema
Section: The Rebirth of Chinese Cinema (1941-1951)
Arlecchino Cinema
Introduced by
Daniela Michel (Morelia International Film Festival)
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Antonio Bigini and Cristina Da Roit
Piano accompaniment by
Gabriel Thibaudeau
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
Olaf Möller
Section: Recovered & Restored
Cinema Modernissimo
Piano accompaniment by Daniele Furlati
Section: One hundred years ago
Sala Cervi
Introduced by
Chiara Magri, Dalila Rovazzani and Giovanni Munari
Il CSC Animazione di Torino presenta: Sogni e incubi
Monster Mom (Italia/2012) R.: C. Guerreschi, G. Satya Matteucci, A. Rosso, G. Siravo e S. Chedid Toresan. D.: 7’
Eidos (Italia/2016) R.: A. Comerci e E. Ortolan. D.: 4’
Arithmétique (Italia/2010) R.: D. Rovazzani e G. Munari. D.: 4’
Office Kingdom (Italia/2014) R.: S. Centoducati, E. Bertolucci, G. De Toma e R. Pirito. D.: 7’
Dream ‘n’ Bass (Italia/2011) R.: G. Disperati, M. Romani e G. L. Velluso. D.: 6’
Il CSC Animazione di Torino presenta: Piccolissimi
Ombra (Shadow) (Italia/2011) R.: L. Erbetta, M. Gualtieri e I. Piccinato. D.: 2’
Tora Chan (Italia/2010) R.: D. Como, C. Cutrì, S. Echise e V. Gori. D.: 5’
Oblò, Amazing Laundrette (Italia/2014) R.: M. Carosso, I. Giacometti, M. Narduzzi e E. Pancaldi. D.: 6’
Babau (Italia/2008) R.: G. Poretti, V. Terranova, S. Zappalà e O. Bianco. D.: 3’
Humus (Italia/2017) R.: S. Cirillo, S. Di Rocco, D. Livietti e A. Tagliapietra. D.: 7’
A cura del Centro Sperimentale di Cinematografia – Corso d’animazione di Torino
Section: Il Cinema Ritrovato Kids
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Ivo Blom and Bryony Dixon
Piano accompaniment by
Antonio Coppola
Section: 1898: Year Three of Cinema
Jolly Cinema
Before the show, two commercial by Emmer for Carosello
Section: Luciano Emmer 100: The Art of Gazing
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinnoteca
Section: Il Cinema Ritrovato Kids
Arlecchino Cinema
Introduced by
Julij Fajt and Peter Bagrov
Section: Censored, Recovered, Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Dirk Förstner (Bundesarchiv) and Elif Rongen–Kaynakçi (EYE Filmuseum)
Piano accompaniment by
Stephen Horne
Section: Recovered & Restored
Section: Documents and Documentaries
Cinema Modernissimo
Piano accompaniment by
Antonio Coppola
Section: One hundred years ago
La Linea
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Jolly Cinema
Section: The Rebirth of Chinese Cinema (1941-1951)
Cinema Lumiere – Sala Scorsese
Section: Censored, Recovered, Restored
Piazza Maggiore
Accompagnamento dal vivo della Mitteleuropa Orchestra, diretta da Gillian Anderson
Introducono Dave Kehr (MoMA) e Margaret Bodde (The Film Foundation)
Precede Entr’acte (Francia/1924) R.: René Clair. D.: 22’. Did. francesi
Musiche di Erik Satie, eseguite al pianoforte da Daniele Furlati
Introduce Sophie Seydoux (Fondation Jérôme Seydoux-Pathé)
(In case of rain, the screening will be moved to Teatro Comunale)
Section: Recovered & Restored
monday 25 june
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
Sala Cervi
Jolly Cinema
Introduced by
Pamela Hutchinson
Piano accompaniment by
Donald Sosin
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Antonio Coppola and Frank Bockius at the drum
Section: One hundred years ago
Arlecchino Cinema
Introduced by
main actress Marina Vlady
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Cinema Lumiere – Sala Scorsese
Introduced by
Eric Le Roy (CNC)
Section: Cinemalibero
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Alisa Nasrtdinova
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
Sala Cervi
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Jolly Cinema
Introduced by
Ivan Trujillo Bolio
Section: Recovered & Restored
Introduced by
Ahmet Gürata
Section: Documents and Documentaries - Yilmaz Güney, Despair of Hope
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Anke Wilkening (Murnau Stiftung)
Piano accompaniment by
Stephen Horne
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
producer Pierre-Alain Meier
Section: Cinemalibero
Arlecchino Cinema
Introduced by
Sophie Seydoux (Pathé)
Section: Recovered & Restored
Jolly Cinema
Introduced by
Tony Rayns
Section: The Rebirth of Chinese Cinema (1941-1951)
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Madeleine Bernstorff e Sünke Michel
Piano accompaniment by
Matti Bye
Section: The Woman with The Kinamo: Ella Bergmann-Michel
MAMbo Meeting Room
Sala Cervi
Section: Il Cinema Ritrovato Kids
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Jeanne Pommeau
Piano accompaniment by
Stephen Horne
Section: 1898: Year Three of Cinema
Arlecchino Cinema
Introduced by
Shion Komatsu (Shochiku)
Section: Recovered & Restored
Introduced by
Margarethe von Trotta e Felix Möller
Section: Documents and Documentaries
Sala Cervi
Lalla, piccola Lalla (Italia/1947) R.: Nino e Toni Pagot. D.: 22’
Section: Il Cinema Ritrovato Kids
Jolly Cinema
Introduced by
main actress Marina Vlady
Before the show, two commercial by Emmer for Carosello
Section: Luciano Emmer 100: The Art of Gazing
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Daniela Currò (Cineteca Nazionale), Karola Gramann e Heide Schlüpmann (Kinothek Asta Nielsen)
Registered music by Enrico Melozzi, by ZDF/ARTE
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Cinema Modernissimo
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
La Linea
Arlecchino Cinema
Introduced by
Grover Crisp (Sony Columbia) and Nick Varley (Park Circus)
(In case of rain, the screening will be moved to Cinema Jolly)
Section: Recovered & Restored
Jolly Cinema
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Scorsese
Section: Cinemalibero
Piazza Maggiore
Introduced by
Margarethe von Trotta, Jan Holmberg (CEO Ingmar Bergman Foundation) and Lars Karlsson.
Presentation by Thierry Fremaux (Festival di Cannes and Institut Lumière).
Preceding Lumière, l’invention du sport.
Supported by Volvo.
(In case of rain, the screening will be moved to Cinema Arlecchino and replace the actual screening)
Section: Recovered & Restored
tuesday 26 june
Piazzetta Pier Paolo Pasolini
Live accompaniment by Antonella Monetti (voice and accordion) and Michele Signore (violin, mandolin and mandocello)
Reservation: cinetecadirezione@cineteca.bologna.it
051 2195333 (from 23 June)
(In case of rain, the screening will be moved to Sala Mastroianni)
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by Stephen Horne
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by Daniele Furlati
Section: One hundred years ago
Sala Cervi
Jolly Cinema
Introduced by
Imogen Sara Smith
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Donald Sosin
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
Introduced by
Ola Balogun
Section: Cinemalibero
Arlecchino Cinema
Introduced by
Emiliano Morreale
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Salaborsa (piazza coperta)
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Gabriel Thibodeau
Section: One hundred years ago
Sala Cervi
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Cinema Lumiere – Sala Scorsese
Introduced by
Stefan Drössler (Munich Film Archive)
Section: Censored, Recovered, Restored
Jolly Cinema
Introduced by
Jean Gili e Gian Luca Farinelli
Presentazione del libro, Marcello Pagliero «l’italien de Saint-Germain-des-Prés» (ed. afrhc 2018) di Jean Gili
Section: Marcello Pagliero, the Italian of Saint-Germain-des-Prés
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Briony Dixon e Mariann Lewinsky
Accompagnamento al piano di Donald Sosin e alla batteria di Frank Bockius
Section: Recovered & Restored - In Search of Color: Technicolor & Co.
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Madeleine Bernstorff
Piano accompaniment by
Matti Bye
Section: The Woman with The Kinamo: Ella Bergmann-Michel
Cinema Lumiere – Sala Scorsese
Section: Yilmaz Güney, Despair of Hope
Arlecchino Cinema
Section: Censored, Recovered, Restored
Jolly Cinema
Section: The Rebirth of Chinese Cinema (1941-1951)
Sala Cervi
Fantasmagorie (Francia/1908) R.: Émile Cohl. D.: 1’
Out of the Inkwell: Invisible Ink (USA/1921) R.: Max Fleischer, Alfred Weiss. D.: 7’
Le Merle (The Blackbird, Canada/1958) R.: Norman McClaren. D.: 4’
Pe Fir (Romania/1968) R.: Constantin Mustet ¸ ea. D.: 9’
Putnik drugog razreda (Second Class Passenger, Croazia/1973) R.: Borivoj Dovnikovic ´ -Bordo. D.: 10’
David (Paesi Bassi/1977) R.: Paul Driessen. D.: 9’
Peo e i maestri della pittura (episodi) (Italia-Svizzera/2012) R.: Fusako Yusaki D.: 3’
A cura di Eric Rittatore
Section: Il Cinema Ritrovato Kids
Sala Cervi
Section: Il Cinema Ritrovato Kids
Cinema Lumiere – Sala Officinema/Mastroianni
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Arlecchino Cinema
Introduced by
Stanislaw Bardadin
Section: Recovered & Restored
Jolly Cinema
Introduced by
Emiliano Morreale
Precedono due spot realizzati da Emmer per Carosello
Section: Luciano Emmer 100: The Art of Gazing - Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Introduced by
Laurence Braunberger (Films du Jeudi) e Hervé Pichard (Cinèmathèque française)
Musica registrata composta da Mauro Coceano
Section: Documents and Documentaries
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Anna Masecchia (Università degli Studi di Napoli Federico II)
Piano accompaniment by
Antonio Coppola
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Cinema Modernissimo
Piano accompaniment by
Stephen Horne
Section: One hundred years ago
La Linea
Arlecchino Cinema
Section: Censored, Recovered, Restored - Recovered & Restored
Arlecchino Cinema
(In caso di pioggia, la proiezione si sposterà al Cinema Jolly e sostituirà la proiezione serale)
Section: Recovered & Restored
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Scorsese
Section: Cinemalibero
Piazza Maggiore
Introduced by
Sir Christopher Frayling
Serata sostenuta da Mare Termale Bolognese
(In caso di pioggia, la proiezione si sposterà al Cinema Arlecchino)
Section: Recovered & Restored
wednesday 27 june
Piazzetta Pier Paolo Pasolini
Canzoni napoletane scelte, arrangiate ed eseguite da Guido Sodo (mandolino, mandoloncello e voce) e François Laurent (chitarra)
Free entry.
Reservation: cinetecadirezione@cineteca.bologna.it
051 2195333 (from 23 June)
(In case of rain, the screening will be moved in Sala Mastroianni)
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Arlecchino Cinema
Section: Censored, Recovered, Restored
Jolly Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Stéphanie Salmon (Fondation Jérôme Seydoux Pathé)
Piano accompaniment by
Stephen Horne
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by
Donald Sosin
Section: One hundred years ago
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
Sala Cervi
Jolly Cinema
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Scorsese
Introduced by
Walter Salles, Myra e Janka Babenco (director’s daughters)
Section: Cinemalibero
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Jan Ledecký (Tinting and toning specialist)
Piano accompaniment by
Daniele Furlati
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
Introduced by
Rita Belda (Sony Columbia) e Ehsan Khoshbakht
Section: Censored, Recovered, Restored
Introduced by
Hervé Pichard (Cinémathèque française)
Section: Documents and Documentaries
Arlecchino Cinema
Introduced by
Michael Pogorzelski (Academy Film Archive) and Emily Carman
Section: In Search of Color: Technicolor & Co.
Jolly Cinema
Section: Marcello Pagliero, the Italian of Saint-Germain-des-Prés
Cinema Lumiere – Sala Officinema/Mastroianni
Jérôme Diamant-Berger
Piano accompaniment by
Béatrice Thieret
Section: Recovered & Restored
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: The Rebirth of Chinese Cinema (1941-1951)
Introduced by
the producer Serge Bromberg, Lisa Haven e Kate Guyonvarch (Association Chaplin)
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Elif Rongen–Kaynakçi and Mariann Lewinsky
Piano accompaniment by
Stephen Horne and Gabriel Thibaudeau, and Frank Bockius on the drums
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
Introduced by
Ahmet Gürata
Section: Yilmaz Güney, Despair of Hope
Sala Cervi
Bill il Pistolero D.: 2’, Pinocchio D.: 2’, Bel colpo, Mister 11 D.: 2’, Gli assi nelle maniche D.: 3’, Jack lo sfregiato D.: 2’, Cappuccetto Rosso D.: 2’, Il conquistatore D.: 2’, La piccola guerra D.: 3’, Dofo Parade D.: 2’, Agenzia Mc Carty D.: 2’
Section: Il Cinema Ritrovato Kids
Sala Cervi
Introduced by
Tom Vincent
A Grand Day Out (Una fantastica gita, GB/1989) R.: Nick Park. D.: 24’. V. italiana
Wat’s Pig (GB/1996) R.: Peter Lord. D.: 11’.
Section: Il Cinema Ritrovato Kids
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Introduced by
Stefano Francia di Celle
Before two advertising made by Emmer for Carosello
Section: Luciano Emmer 100: The Art of Gazing
Sala Cervi
Section: Il Cinema Ritrovato Kids
Arlecchino Cinema
Section: Recovered & Restored - In Search of Color: Technicolor & Co.
Introduced by
Grace Winter and Nicola Mazzanti (Cinémathèque Royale de Belgique)
Section: Documents and Documentaries
Cinnoteca
Section: Il Cinema Ritrovato Kids
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
La Linea
Arlecchino Cinema
Introduced by
Kathryn Sermak, Bette Davis’ assistant
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Antonio Coppola
Section: One hundred years ago
Jolly Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
the producer Pierre-Alain Meier
Section: Cinemalibero
thursday 28 june
Arlecchino Cinema
Section: Recovered & Restored
Jolly Cinema
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Neil Brand
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Modernissimo
Piano accompaniment by
Donald Sosin
Section: One hundred years ago
Sala Cervi
Cinema Lumiere – Sala Scorsese
A seguire incontro con Walter Salles
Section: Cinemalibero - Recovered & Restored
Jolly Cinema
Introduced by
Jeremy Arnold
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Antonio Coppola
Section: One hundred years ago
Section: The Rebirth of Chinese Cinema (1941-1951)
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
MAMbo Meeting Room
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Cinema Lumiere – Sala Scorsese
with Bernard Eisenschitz and Jackie Raynal
Section: Cécile Decugis, editor and filmmaker
Jolly Cinema
Introduced by
Jean Gili
Section: Marcello Pagliero, the Italian of Saint-Germain-des-Prés
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Agnès Bertola (Gaumont Pathé Archives)
Piano accompaniment by
Stephen Horne
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Drum accompaniment by Frank Bockius
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Claudia Gianetto and Stella Dagna
Piano accompaniment by
Donald Sosin
Section: Arrigo Frusta and The Writing Workshop
Section: Recovered & Restored
Jolly Cinema
Section: The Rebirth of Chinese Cinema (1941-1951)
Arlecchino Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Introduced by
Ahmet Gürata e Jak Shalom
Section: Yilmaz Güney, Despair of Hope
Sala Cervi
Introduced by
Elżbieta Wysocka (Filmoteka Narodowa Instytut Audiowizualny)
Miś Uszatek (Teddy Floppy-ear, Polonia/1962) R.: Lucjan Dembiński. D.: 9’
Mundur (Uniform, Polonia/1965) R.: Edward Sturlis. D.: 7’
Nie drażnić Lwa (Don’t Tease the Lion, Polonia/1960) R.: Tadeusz Wilkosz. D.: 11’
Smok Barnaba (Barnaby, the Dragon, Polonia/1977) R.: Tadeusz Wilkosz. D.: 10’
Maszyna (The Machine, Polonia/1961) R.: Daniel Szczechura. D.: 7’
Section: Il Cinema Ritrovato Kids
Introduced by
Jérôme Wybon
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Mariann Lewinsky
Piano accompaniment by
Stephen Horne
Section: 1898: Year Three of Cinema
Jolly Cinema
Introduced by
Michele Emmer
Before the show, two commercial by Emmer for Carosello
Section: Luciano Emmer 100: The Art of Gazing
Sala Cervi
Episodi realizzati da Osvaldo Cavandoli (Italia/1982) D.: 30’
La talpa pittrice, Un viaggio in Africa, Sulla spiaggia, Una gita nella giungla, Il ristorante pazzo, Le ombre cinesi
Section: Il Cinema Ritrovato Kids
Introduced by
Michel Andrieu and Jacques Kébadian
Section: Documents and Documentaries
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Gabriel Thibaudeau
Section: One hundred years ago
Cinnoteca
Section: Il Cinema Ritrovato Kids
Arlecchino Cinema
Introduced by
Michael Pogorzelski (Academy Film Archive)
Section: Recovered & Restored
Cinema Modernissimo
Piano accompaniment by
Antonio Coppola
Section: One hundred years ago
La Linea
Arlecchino Cinema
Introduced by
cinematographer Luciano Tovoli, Luca Guadagnino, director of the remake, and Emilano Morreale.
(In case of rain, the screening will be moved to Cinema Jolly and replace the actual screening)
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Registered music by Enrico Melozzi, by ZDF/ARTE
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Jolly Cinema
Section: Luciano Emmer 100: The Art of Gazing
Cinema Lumiere – Sala Scorsese
Section: Cinemalibero
Piazza Maggiore
Supported by Ottica Garagnani
(In case of rain, the screening will be moved to Cinema Arlecchino and replace the actual screening)
Section: Recovered & Restored
friday 29 june
Arlecchino Cinema
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Accompagnamento al piano di Donald Sosin e alla batteria di Frank Bockius
Section: One hundred years ago
Cinema Modernissimo
Piano accompaniment by
Neil Brand
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
A seguire incontro con Mohammed Lakhdar-Hamina
Section: Cinemalibero
Jolly Cinema
Introduced by
Céline Ruivo
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Jon Wengström
Piano accompaniment by
Mie Yanashita
Section: One hundred years ago
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Antonio Coppola
Section: One hundred years ago
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Cinema Lumiere – Sala Scorsese
Introducono l’attrice protagonista Anna Karina e Frederic Bonnaud (Cinémathèque française)
Section: Recovered & Restored
Jolly Cinema
Section: Marcello Pagliero, the Italian of Saint-Germain-des-Prés
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Robert Byrne e Céline Ruivo
Piano accompaniment by
Gabriel Thibaudeau
Section: Recovered & Restored
Introduced by
Dave Kehr
Section: Documents and Documentaries
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Antonio Coppola
Section: Arrigo Frusta and The Writing Workshop
Sala Cervi
Introduced by
Tom Vincent (Aardman Animation)
The Wrong Trousers (I pantaloni sbagliati, GB/1993) R.: Nick Park. D.: 30’. V. italiana
A Close Shave (Una tosatura perfetta, GB/1995) R.: Nick Park. D.: 31’ V. italiana
Section: Il Cinema Ritrovato Kids
Arlecchino Cinema
Introduced by
James Mockoski (American Zoetrope)
Precede un videomessaggio di Francis Ford Coppola
Section: Recovered & Restored
Jolly Cinema
Introduced by
Tony Rayns
Section: The Rebirth of Chinese Cinema (1941-1951)
Introduced by
Jérôme Prieur
Section: Documents and Documentaries
Sala Cervi
Amperio (Italia/2006) R.: F. Alliaud, P. Ciccotti, M. Monti, H. Pizzinini e F. Taurino. D.: 7’
Azzurra e Midori (Italia/2017) R.: E. Garofalo, M. Giuliani e L. Piunti. D.: 6’
46 cm (Italia/2011) R.: T. Bandini, C. Casapieri, P. De Murtas e G. Strinati. D.: 7’
Il pasticcere (Italia/2010) R.: A. Antinori, A. di Molfetta, G. Landi e E. Laviola Dialogo. D.: 6’
Section: Il Cinema Ritrovato Kids
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Béatrice de Pastre (CNC)
Piano accompaniment by
Mie Yanashita
Section: 1898: Year Three of Cinema
Cinema Lumiere – Sala Scorsese
Introduced by
Ahmet Gürata e Farit Yucel
Section: Yilmaz Güney, Despair of Hope
Cinnoteca
Section: Il Cinema Ritrovato Kids & Young
Arlecchino Cinema
Introduce John Bailey (direttore della fotografia e Presidente dell’Academy of Motion Pictures)
Section: Recovered & Restored
Jolly Cinema
Before the show, two commercial by Emmer for Carosello
Section: Luciano Emmer 100: The Art of Gazing - Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Cecilia Cenciarelli e Tim Lanza (Cohen)
Accompagnamento al piano di Neil Brand e alla batteria di Frank Bockius
Section: Keaton Project
Cinema Modernissimo
Piano accompaniment by
Daniele Furlati
Section: One hundred years ago
La Linea
Cinema Lumiere – Sala Scorsese
Piano accompaniment by
Donald Sosin
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Teatro Comunale di Bologna
Prima della partitura originale di Timothy Brock, commissionata dall’Orchestre Philarmonique de Radio France ed eseguita dall’Orchestra del Teatro Comunale di Bologna
Supported by Aeroporto Marconi di Bologna.
Section: Recovered & Restored
Arlecchino Cinema
Introduced by
Emiliano Morreale
(In case of rain, the screening will be moved to Cinema Arlecchino and replace the actual screening)
Section: In Search of Color: Technicolor & Co.
Jolly Cinema
Section: Immortal Imitations: The Cinema of John M. Stahl
Cinema Lumiere – Sala Scorsese
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Piazza Maggiore
Introduced by
Emi De Sica
Audiodescrizione fruibile con l’app MovieReading realizzata dalla Cooperativa Sociale Big Bang Universo Accessibile
(In caso di pioggia, la proiezione si sposterà al Cinema Arlecchino e sostituirà la proiezione serale)
Section: Recovered & Restored
saturday 30 june
Piazzetta Pier Paolo Pasolini
Accompagnamento dal vivo ispirato alla tradizione napoletana eseguito da E Zézi Gruppo Operaio
Free entry.
Reservation: cinetecadirezione@cineteca.bologna.it
051 2195333 (from 23 June)
(In case of rain, the screening will be moved to the Sala Mastroianni)
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Arlecchino Cinema
Section: Censored, Recovered, Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Andrea Meneghelli (Cineteca di Bologna), Claudia Gianetto (Museo Nazionale del Cinema di Torino), Daniela Currò (Conservatore Cineteca Nazionale) and Elif Rongen– Kaynakçi (EYE Filmmuseum)
Piano accompaniment by
Stephen Horne
Section: Arrigo Frusta and The Writing Workshop
Cinema Lumiere – Sala Scorsese
Section: Yilmaz Güney, Despair of Hope
Cinema Modernissimo
Piano accompaniment by
Neil Brand
Section: One hundred years ago
Jolly Cinema
Introduced by
Ehsan Khoshbakht
Section: Immortal Imitations: The Cinema of John M. Stahl
Arlecchino Cinema
Introduced by
Anna Maria Tatò
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Cinema Lumiere – Sala Officinema/Mastroianni
Piano accompaniment by
Gabriel Thibaudeau
Section: One hundred years ago
Cinema Lumiere – Sala Scorsese
Section: Cinemalibero
Sala Cervi
Section: Arrigo Frusta and The Writing Workshop
Jolly Cinema
Section: William Fox Presents: Rediscoveries from The Fox Film Corporation
Section: Recovered & Restored
Arlecchino Cinema
Section: In Search of Color: Technicolor & Co.
Cinema Lumiere – Sala Scorsese
Introduced by Henry Hopper, director’s son
Section: Censored, Recovered, Restored
Jolly Cinema
Introduced by
the artist and screenwriter Francesco Tullio-Altan and the director Gérard Zingg
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Section: In Search of Color: Technicolor & Co.
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Caroline Fournier, Jan Ledecký and Jeanne Pommeau
Piano accompaniment by
Neil Brand
Section: Recovered & Restored - One hundred years ago
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli
Arlecchino Cinema
Introduced by
Grover Crisp (Sony Columbia)
Section: Recovered & Restored
Jolly Cinema
Section: The Rebirth of Chinese Cinema (1941-1951)
Cinema Lumiere – Sala Scorsese
Introduced by
Bernard Eisenschitz and Jackie Raynal
Section: Cécile Decugis, editor and filmmaker
Cinema Lumiere – Sala Officinema/Mastroianni
The three titles in this programme complete the variegated genres of the series ‘Serie d’Oro’ launched in 1909 with Spergiura! and Nerone. Arturo Ambrosio viewed Frusta as a kind of living encyclopedia, capable of writing or rewriting any story locked up in his Screenplay Office. For the adaptation of Schiller’s ballad Der Handschuh (Il guanto), Frusta recreated a romantic court atmosphere with a big finale, unfortunately lost, in which real lions keep viewers on the edge of their seats. In 1911 D’Annunzio – under an advantageous contract and without writing a line, save exequatur and a fleeting signature at the bottom of Frusta’s screenplays – let one of his works be filmed for the first time: Sogno di un tramonto d’autunno features Mary Cléo Tarlarini, Ambrosio’s first star, perfectly playing the part of a restrained and haughty Gradeniga trembling with jealousy. Frusta did not look down upon any project and, with directors like Maggi, Rodolfi and Caserini, he not only made the first foray into comedy, which would become a successful genre in Italian cinema, but also dedicated unusual care in writing slapstick. The manuscript of the screenplay for Gigetta è gelosa (a lost film made in 1914) contains a surprising monologue to be performed (!? …) in front of a mirror, written by Frusta for Gigetta Morano. The screenwriter had a certain care in writing female roles (and weakness for actresses), and it was the leading actress of Santarellina who would remember that Frusta was the Turin production company’s true genius.
Claudia Gianetto
Piano accompaniment by
Daniele Furlati
Section: Arrigo Frusta and The Writing Workshop
Sala Cervi
Section: Il Cinema Ritrovato Kids
Section: Documents and Documentaries
Arlecchino Cinema
Introduced by
Mario Martone
Section: Song of Naples. Tribute to Elvira Notari and Vittorio Martinelli - Recovered & Restored - In Search of Color: Technicolor & Co.
Jolly Cinema
Before the show, two commercial by Emmer for Carosello
Section: Luciano Emmer 100: The Art of Gazing
Cinema Lumiere – Sala Officinema/Mastroianni
Introduced by
Kjetil Sørensen (National Library of Norway), Cecilia Cenciarelli and Tim Lanza (Cohen)
Piano accompaniment by
Daniele Furlati and Antonio Coppola
Section: Recovered & Restored - Keaton Project
Cinema Lumiere – Sala Scorsese
Piano accompaniment by
Mie Yanashita
Section: Second Utopia: 1934 – the Golden Age of Soviet Sound Film
Introduced by
Stefano Consiglio
Section: Documents and Documentaries
Cinema Modernissimo
Piano accompaniment by
Daniele Furlati
Bonus / Extra: Leah Baird in The Red Barrier (USA/1912) D.: 15’. Did. olandesi
Section: One hundred years ago
La Linea
Arlecchino Cinema
Introduced by
Roy Menarini
(In case of rain, the screening will be moved to Cinema Jolly and replace the actual screening)
Section: Recovered & Restored
Cinema Lumiere – Sala Officinema/Mastroianni
Recorded music composed by Anoushka Shankar, commissioned by the BFI National Archivethe BFI National Archive
Section: Recovered & Restored
Cinema Lumiere – Sala Scorsese
Section: Cinemalibero
Jolly Cinema
Section: Immortal Imitations: The Cinema of John M. Stahl
Piazza Maggiore
Introduced by
Giuseppe Tornatore and Zeudi Araya
Supported by Mielizia
(In case of rain, the screening will be moved to Cinema Arlecchino and replace the actual screening)
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
sunday 1 july
Arlecchino Cinema
Section: Immortal Imitations: The Cinema of John M. Stahl
Arlecchino Cinema
Section: Recovered & Restored
Arlecchino Cinema
Section: Censored, Recovered, Restored
Arlecchino Cinema
Section: Documents and Documentaries
Arlecchino Cinema
Section: Censored, Recovered, Restored
Arlecchino Cinema
Section: Marcello Come Here: Mastroianni Rediscovered (1954-1974)
Piazza Maggiore
Introduced by
the movie choreographer Patricia Birch
Promoted by Paola and Marino Golinelli for Fondazione Golinelli
(In case of rain, the screening will take place at Cinema Arlecchino)
Section: Recovered & Restored