We’ve chosen just a small selection of the many extraordinary indoor screenings from this year’s festival, which featured a programme of more than 500 films.

Photos by Margherita Caprilli and Lorenzo Burlando.

In this gallery: Summer in the City by Wim Wenders (RFT/1969-1971), Clash by Night by Fritz Lang (USA/1952), L’Image originelle – Wim Wenders by Pierre Henry Gibert (Francia/2026) and Diapo Lynch (Francia/2000), La città si difende by Pietro Germi (Italia/1951), Quo vadis? by Enrico Guazzoni (Italia/1913), Ananas by Amos Gitai and Ron Mann (Israele-Francia-Svezia-Paesi Bassi-Finlandia/1983), Meghe Dhaka Tara by Ritwik Ghatak (India/1960), Prima della rivoluzione by Bernardo Bertolucci (Italia/1964), Eva by Maria Plyta (Grecia/1953), Dead Man by Jim Jarmusch (USA/1995), The Devils by Ken Russell (GB/1971), The Man Who Would Be King by John Huston (GB-USA/1975), Oatsurae Jirokichi Koshi by Daisuke Ito (Giappone/1931), The Dislocation of Amber by Hussein Shariffe (Sudan/1975), Plan 9 From Outer Space by Ed Wood (USA/1957), Orson Welles: The One-man Band by Oja Kodar e Vassili Silovic (Germania-Francia-Svizzera/1995), Cómicos by Juan Antonio Bardem (Spagna/1954), Alice in Wonderland (USA/1951) by Clyde Geronimi, Hamilton Luske and Wilfred Jackson, Ossesione by Luchino Visconti (Italia/1943), Il Cinema Ritrovato Opening and the section “Joséphine Baker, Renaissance Woman” and “Anita Ekberg directed by Federico Fellini”, Vittorio De Sica – La vita in scena by Francesco Zippel (Italia/2026).