According to director Audrius Stonys, “The film came into being while trying to answer a question: how can one film the invisible?” It subtly weaves together interactions among people, animals and their surroundings. Long shots, the ab- sence of words and meditative images interacting with music open a haptic and philosophical realm for the viewer that goes beyond the visible. In 1992 the film received the Felix (European Film Academy Award) for Best European Documentary.