The thing that Baker makes the most of is plot complexity. He manages to make it almost plausible by finding the right atmosphere for every scene and then playing with the contrasts created. Suddenly, he completely immerses us in Hollywood kitsch. But he is just as convincing when he shows the factory work scenes, especially the one on Audrey Valentine. No style seems unknown to him. He is even at home with sentimental comedy (scenes between Anna and Graham in the office) and unbridled melodrama (the punishment inflicted by Herman upon his daughter, of which unfortunately only the beginning remains, that is reminiscent of Stroheim or Broken Blossoms).

Jean Marie Buchet