After official history, discarded films, now recovered and brought back to life. New films are obsessed by the issue of a primitive way of looking. How do we see when we look for the first time? Very slowly – in slow motion – in astonishment, in Eureka. With the violence of exoticism in Ruines arrangées and Crossing the Great Sagrada, with the obsession of a man holding a movie camera in L’operatore perforato and in Anonimatografo.