{"id":85166,"date":"2025-06-28T16:06:50","date_gmt":"2025-06-28T14:06:50","guid":{"rendered":"https:\/\/ilcinemaritrovato.it\/?p=85166"},"modified":"2025-06-28T19:54:57","modified_gmt":"2025-06-28T17:54:57","slug":"il-cinema-ritrovato-finisce","status":"publish","type":"post","link":"https:\/\/ilcinemaritrovato.it\/en\/il-cinema-ritrovato-finisce\/","title":{"rendered":"Il Cinema Ritrovato ends… but continues"},"content":{"rendered":"

From 30 June to 6 July, Il Cinema Ritrovato continues in Piazza Maggiore and Cinema Modernissimo with a series of special guests and surprising films.<\/p>\n


\nThe screenings at Cinema Modernissimo are free for festival pass holders until 6 July, and at a cost of \u20ac3.50 per ticket for everyone else.
\nThe programming in Cinema Modernissimo will continue until August 4th, at a cost of \u20ac3.50 for all spectators.<\/p>\n

29 June
\n<\/strong>The curtain comes down on the festival!<\/a>
\n<\/strong>The 39th edition of Il Cinema Ritrovato has reached its end. The final day is packed with special events to bid adieu to the cinephilic public of the festival:\u00a0Cinemalibero<\/em>\u00a0concludes its investigation into the peripheries of film production with\u00a0Rih Es-Sed<\/em>\u00a0and\u00a0S\u00e3o Paulo, Sociedade An\u00f4nima<\/em>, two films that, in different ways, intertwine an individual\u2019s existential unease with the social story of a country \u2013 Tunisia and Brazil respectively. It\u2019s also farewell to the section dedicated to Isaak Babel and the city of Odesa \u2013 which closes with the intense Komissar<\/em>\u00a0\u2013 and to the retrospectives dedicated to Luigi Comencini and Katharine Hepburn. Our portrait of the Italian director reaches its epilogue with the double offering of\u00a0Bambini in citt\u00e0\u00a0<\/em>and\u00a0La finestra sul Luna Park<\/em>, while our farewell offering to the most modern diva of Classical Hollywood is David Lean\u2019s crepuscular\u00a0Summertime<\/em>. Finally, festivalgoers will have the opportunity to watch, or rewatch, some of the most interesting films from this year\u2019s\u00a0Recovered and Restored<\/em>\u00a0section, which will illuminate the city\u2019s screens from morning to night. The evening schedule in particular hosts a number of unmissable appointments \u2013 including repeat screenings of\u00a0Thief<\/em>,\u00a0Performance<\/em>,\u00a0Yi Yi\u00a0<\/em>and\u00a0Duel in the Sun<\/em>\u00a0\u2013 culminating with\u00a0The Zone of Interest\u00a0<\/em>in Piazza Maggiore, introduced by Jonathan Glazer.<\/p>\n

 <\/p>\n

From 30 June to 2 July
\n<\/strong>Brady Corbet in Bologna<\/strong>
\nThe incredible success of The Brutalist, with its Silver Lion for Best Director and three Oscars, has established Brady Corbet\u2019s reputation as a director capable of re-reading the present and the past from a new and original perspective. A consummate cinephile, who has also acted for majors directors such as Michael Haneke, Lars von Trier and Olivier Assayas, Corbet will be the protagonist of a series of key events this week: on Monday 30 June, he will be in Piazza Maggiore to introduce his disturbing debut film\u00a0The Childhood of a Leader<\/em>; on Tuesday 1 and Wednesday 2 July, he will be at Cinema Modernissimo to introduce the 70mm screening of\u00a0The Brutalist<\/em>\u00a0and for a\u00a0lesson\u00a0where he will get the opportunity to fully express his love of cinema.<\/p>\n

 <\/p>\n

30 June and 2 July
\n<\/strong>Jim Jarmusch introduces\u00a0<\/strong>Only Lovers Left Alive<\/strong><\/em>\u00a0in Piazza Maggiore<\/strong>
\nFollowing the Cinema Lesson of which he was the protagonist, Jim Jarmusch will once again meet the public of Bologna, in Piazza Maggiore on Wednesday 2 July, to introduce his\u00a0Only Lovers Left Alive<\/em>, a story about the \u201ceternal\u201d love between two vampires enveloped in the darkness of Detroit and the entrancing soundtrack composed by Jozef van Wissem and SQ\u00dcRL, the group Jarmusch is a member of. Also on Wednesday, Cinema Modernissimo will be screening\u00a0Dead Man<\/em>\u00a0\u2013 celebrating its thirtieth birthday this year \u2013 a splendid existential black-and-white western starring Johnny Depp. However, on Monday 30 June, we will also have the chance to meet more outsiders from Jarmusch\u2019s cinema, with the poetic\u00a0Down by Law<\/em>, the story of three outcasts played by John Lurie, Tom Waits and Roberto Benigni.<\/p>\n

 <\/p>\n

30 June and 1 July
\n<\/strong>Asghar Farhadi presents\u00a0<\/strong>The Salesman\u00a0<\/strong><\/em>and\u00a0<\/strong>A Separation<\/strong><\/em>
\nAsghar Farhadi, one of the most highly-anticipated guests at Il Cinema Ritrovato 2025 and already the protagonist of a Cinema Lesson this week, will meet the public on two more occasions: he will be in conversation with Gian Luca Farinelli to retrace the key stages of his career on Monday 30 June at MAST (free admission), following the screening of\u00a0The Salesman<\/em>, winner of the Oscar for Best Foreign Language Film in 2017. Then, on Tuesday 1 July, he will be in Piazza Maggiore to introduce\u00a0A Separation<\/em>, the 2011 film that brought him widespread international acclaim (winner of his first Oscar and the Golden Bear in Berlin) and breathed fresh life into Iranian cinema. Both of the events are being held in collaboration with the International Filmmaking Academy 2025, of which Asghar Farhadi is the Master Teacher.<\/p>\n

 <\/p>\n

5 July
\n<\/strong>Homage to Joshua Oppenheimer:\u00a0<\/strong>The Act of Killing<\/strong><\/em>\u00a0and\u00a0<\/strong>The Look of Silence<\/strong><\/em>
\nOne of the most original and courageous filmmakers in contemporary cinema is coming to Bologna. We pay homage to Joshua Oppenheimer with the screening of his two celebrated documentaries about the Indonesian mass killings of 1965-1966,\u00a0The Act of Killing<\/em>\u00a0and\u00a0The Look of Silence<\/em>, works that revolutionised the ways in which memory and violence can be depicted. In the former, in programme at Cinema Modernissimo, those responsible for the massacres perform grotesque and surreal re-enactments of their atrocities; in the latter (introduced by Oppenheimer in Piazza Maggiore), the gaze becomes more intimate and painful, following the journey of a man who courageously confronts his family\u2019s executioners.<\/p>\n

 <\/p>\n

3, 4 and 6 July
\n<\/strong>Kubrick, Wilder and widescreen formats<\/strong>
\nGreat directors and unforgettable films will continue to illuminate the afternoons at Cinema Modernissimo and the night skies above Piazza Maggiore. On Thursday 3 July, it is the turn of the directorial genius of Stanley Kubrick, with the interstellar (and spiritual) journey of the seminal\u00a02001: A Space Odyssey<\/em>\u00a0and\u00a0Barry Lyndon<\/em>, whose legendary photography we will be able to enjoy to the full on the big screen of Piazza Maggiore. Instead, on Friday 4 July, the star of the show will be widescreen formats: on one hand, the Vistavision and dazzling Technicolor of\u00a0Artists and Models<\/em>, on the other, the CinemaScope that exalts the epic surrealism of\u00a0The Saragossa Manuscript<\/em>. Sunday 6 July concludes with two masterpieces from Billy Wilder, in majestic form in both the caustic comedy\u00a0Some Like It Hot<\/em>\u00a0\u2013 aided and abetted by Marilyn Monroe, Tony Curtis and Jack Lemmon \u2013 and the classic noir\u00a0Sunset Boulevard<\/em>, the cruellest and most mocking portrait of Hollywood and its legends.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Italiano.Dal 30 giugno e fino al 6 luglio Il Cinema Ritrovato prosegue tra Piazza Maggiore e Modernissimo con una serie di grandi ospiti e film sorprendenti.<\/p>\n","protected":false},"author":54,"featured_media":85167,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1336],"tags":[],"class_list":["post-85166","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/85166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/users\/54"}],"replies":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/comments?post=85166"}],"version-history":[{"count":4,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/85166\/revisions"}],"predecessor-version":[{"id":85188,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/85166\/revisions\/85188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media\/85167"}],"wp:attachment":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media?parent=85166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/categories?post=85166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/tags?post=85166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}