{"id":77539,"date":"2024-06-08T09:41:01","date_gmt":"2024-06-08T07:41:01","guid":{"rendered":"https:\/\/ilcinemaritrovato.it\/?p=77539"},"modified":"2024-06-06T17:41:44","modified_gmt":"2024-06-06T15:41:44","slug":"i-colori-del-cinema-a-passo-ridotto","status":"publish","type":"post","link":"https:\/\/ilcinemaritrovato.it\/en\/i-colori-del-cinema-a-passo-ridotto\/","title":{"rendered":"The Colours of Small Gauge Cinema"},"content":{"rendered":"<p>This year we present a rough guide through the developments and usages of colours in small-gauge filmmaking. The journey starts with tinted 16mm vintage prints from the 1920s and continues in the 1930s with amateur films. Thanks to lenticular colour motion picture processes like Kodacolor and monopack multilayer films like Kodachrome, colour became surprisingly more common in small-gauge cinema compared to commercial films made in 35mm.<br \/>\n<!--more-->After the Second World War, colour film stock became also very popular in promotional and industrial films. From the 1970s onwards, colour in film had become an everyday phenomenon and no longer grabbed the attention of spectators like before. This might be an explanation why more and more innovative filmmakers like Bill Brand, Arthur and Corinne Cantrill and Christian Lebrat started to experiment with the possibilities of film colour to make them visible again.<\/p>\n<p>\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-77539 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2024\/06\/8b_All-Over_da-Light-Cone-4_A.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2024\/06\/8b_All-Over_da-Light-Cone-4_A-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2024\/06\/9c_TanzDerFarben_da-DFF-15_A-scaled.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2024\/06\/9c_TanzDerFarben_da-DFF-15_A-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2024\/06\/8c_Landfill-16_da-Light-Cone-1_A.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2024\/06\/8c_Landfill-16_da-Light-Cone-1_A-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Italiano.Quest\u2019anno presentiamo una guida essenziale agli sviluppi e agli impieghi del colore nel cinema a passo ridotto. Il viaggio inizia con copie d\u2019epoca 16mm colorate negli anni Venti e prosegue con i film amatoriali degli anni Trenta. Grazie ai sistemi per la realizzazione di film a colori attraverso [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":77550,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1336],"tags":[],"class_list":["post-77539","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/77539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/comments?post=77539"}],"version-history":[{"count":2,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/77539\/revisions"}],"predecessor-version":[{"id":77757,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/77539\/revisions\/77757"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media\/77550"}],"wp:attachment":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media?parent=77539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/categories?post=77539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/tags?post=77539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}