{"id":66357,"date":"2021-08-31T13:21:03","date_gmt":"2021-08-31T11:21:03","guid":{"rendered":"https:\/\/ilcinemaritrovato.it\/?p=66357"},"modified":"2021-08-31T13:22:42","modified_gmt":"2021-08-31T11:22:42","slug":"le-lezioni-di-cinema-e-gli-incontri-sul-restauri-2021-sono-online","status":"publish","type":"post","link":"https:\/\/ilcinemaritrovato.it\/en\/le-lezioni-di-cinema-e-gli-incontri-sul-restauri-2021-sono-online\/","title":{"rendered":"2021 Cinema Lessons and Restoration meetings are free to watch online"},"content":{"rendered":"<p><\/p>\n<p>Cinema Lessons and Restoration Meetings from the 2021 edition of Il Cinema Ritrovato are now available online for free on the Youtube Channel of Cineteca di Bologna.<\/p>\n<p><!--more--><\/p>\n<p>This year conversations were a mirror of the festival\u2019s great variety and richness.\u00a0<strong>Jean-Pierre Berthome\u0301<\/strong>\u00a0revealed how the set the Babylonian episode of\u00a0<em>Intolerance<\/em>\u00a0was built; legendary directors Girish Kasaravalli and Kumar Shahani guided us through the meanders of\u00a0<strong>Parallel Cinema<\/strong>; with Sylvie Pras and Massoumeh Lahidji we explored the exhibit devoted to\u00a0<strong>Abbas Kiarostami<\/strong>. We follower Ehsan Khoshbakht through\u00a0<strong>George Stevens<\/strong>\u2019 cinema and \u2013 on the centenary of her birth \u2013 Gianfranco Angelucci through\u00a0<strong>Giulietta Masina<\/strong>\u2019s.<\/p>\n<p>Whereas some of the artists attending \u2013\u00a0<strong>Amos Gitai<\/strong>,\u00a0<strong>Paul Haggis<\/strong>,\u00a0<strong>Brigitte and Marian Lacombe<\/strong>,\u00a0<strong>Isabella Rossellini<\/strong>,\u00a0<strong>Alice Rohrwacher<\/strong>\u00a0\u2013 shared their love for cinema and for their own work with us, others focused on others, like\u00a0<strong>Volker Schlo\u0308ndorff<\/strong>\u00a0on\u00a0<strong>Romy Schneider<\/strong>.\u00a0<strong>Marco Tullio Giordana<\/strong>\u00a0told us all about his two passions: cinema and vintage cars, while conversations with\u00a0<strong>Thierry Fre\u0301maux<\/strong>\u00a0and\u00a0<strong>Marta Donzelli<\/strong>\u00a0reflected on the role of film institutions and organisations in the near future.<\/p>\n<p><a href=\"https:\/\/youtube.com\/playlist?list=PLx3uAGILdftDgtriZaIeUTrZZF_7AVYpM\" target=\"_blank\" rel=\"noopener\">Go to the complete 2021 Cinema Lessons Playlist<\/a><\/p>\n<p><a href=\"https:\/\/youtube.com\/playlist?list=PLx3uAGILdftB1jWQNbBJz_QElvUa4Z5ev\" target=\"_blank\" rel=\"noopener\">Go to the complete 2021 Restoration Meetings Playlist<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Dettaglio degli incontri disponibili:<\/strong><\/p>\n<p>Cinema in campagna\u00a0(Gian Luca Farinelli, Isabella Rossellini, Alice Rohrwacher)<\/p>\n<p>Case study:\u00a0<em>De Man die zijn haar kort liet knippen<\/em>\u00a0(Bruno Mestdagh)<\/p>\n<p>Where is Kiarostami?\u00a0(Sylvie Pras, Massoumeh Lahidji)<\/p>\n<p>Romy, vita e romanzo\u00a0(Volker Schl\u00f6ndorff, Gian Luca Farinelli)<\/p>\n<p>Case Study:\u00a0<em>My Cousin<\/em>\u00a0(Elena Correra,\u00a0Ce\u0301line Ste\u0301phanie Pozzi)<\/p>\n<p><em>Kuhle Wampe<\/em>: Same Same, but Different\u00a0(Martin Koerber)<\/p>\n<p>Indian Parallel Cinema\u00a0(Cecilia Cenciarelli, Shivendra Singh Durgarpur, Omar Ahmed, Girish Kasaravalli, Kumar Shahani)<\/p>\n<p>Il cinema secondo Amos Gitai\u00a0(Amos Gitai, Emiliano Morreale)<\/p>\n<p>Case study: Cine\u0301mathe\u0300que franc\u0327aise\u2019s restorations of\u00a0<em>F for Fake<\/em>\u00a0and\u00a0<em>Un chien andalou<\/em>\u00a0(Herve\u0301 Pichard, Maria\u0301n del Egido, Le\u0301on Rousseau, Je\u0301ro\u0302me Bigueur, Audrey Birrien)<\/p>\n<p>Physical Characteristics of Early Films as Aids to Identification. New, expanded edition of Brown\u2019s 1990 book\u00a0(Camille Blot-Wellens, Christophe Dupin)<\/p>\n<p>Giulietta Masina 100\u00a0(Gianfranco Angelucci, Gian Luca Farinelli)<\/p>\n<p>Case study:\u00a0<em>Raggi \u201cZ\u201d<\/em>\u00a0(Jeanne Pommeau)<\/p>\n<p>Case Study:\u00a0<em>Sambizanga<\/em>\u00a0(Annouchka De Andrade, Cecilia Cenciarelli)<\/p>\n<p>Conservare e restaurare il cinema italiano\u00a0(Marta Donzelli, Gian Luca Farinelli)<\/p>\n<p>Babylone \u00e0 Hollywood\u00a0(Jean-Pierre Berthome\u0301)<\/p>\n<p>Case study:\u00a0<em>Les Oliviers de la justice<\/em>\u00a0(Marina Girard-Muttelet, Thierry Derocles, Sarah Blue Benedict)<\/p>\n<p>Restoring Wolfgang Zeller\u2019s score to\u00a0<em>Vampyr<\/em>\u00a0(Timothy Brock)<\/p>\n<p>Auto e cinema. Strade parallele\u00a0(Marco Tullio Giordana)<\/p>\n<p>Case study:\u00a0<em>Kummatty<\/em>\u00a0(Ramu Aravindan Shivendra Singh Dungarpur, Cecilia Cenciarelli)<\/p>\n<p>Museo Nazionale del Cinema di Torino\u2019s new film laboratory\u00a0(Domenico De Gaetano, Gabriele Angelo Perrone)<\/p>\n<p>Conversazione con Thierry Fr\u00e9maux\u00a0(Thierry Fre\u0301maux, Gian Luca Farinelli)<\/p>\n<p>Chaplin. Presentazione dell\u2019edizione italiana del libro di Peter Von Bagh\u00a0(Cecilia Cenciarelli, Paola Cristalli, Anna von Bagh)<\/p>\n<p>Something to Live for: the Cinema of George Stevens\u00a0(Ehsan Khoshbakht, Imogen Sara Smith)<\/p>\n<p>Case Study:\u00a0<em>Italia K2<\/em>\u00a0(Gian Luca Farinelli, Andrea Meneghelli, Daniele Furlati)<\/p>\n<p>Lights and Grading:\u00a0<em>Dramma della gelosia<\/em>\u00a0(Luciano Tovoli)<\/p>\n<p><em>Italia K2. Riprese di Mario Fantin<\/em>\u00a0(Marco Albino Ferrari, Mauro Leveghi)<\/p>\n<p>Conversazione con Paul Haggis\u00a0(Paul Haggis, Ehsan Khoshbakht)<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/ilcinemaritrovato.it\/lezioni-di-cinema-3\/\" target=\"_blank\" rel=\"noopener\">Find out all the available Cinema Lessons<\/a><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Italiano. Sono online, consultabili gratuitamente sul canale YouTube della Cineteca di Bologna, le Lezioni di Cinema che si sono tenute nell&#8217;ambito del Cinema Ritrovato 2021.<\/p>\n","protected":false},"author":23,"featured_media":64239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1338],"tags":[99,1937,536],"class_list":["post-66357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-approfondimenti","tag-lezioni-di-cinema","tag-online","tag-registi"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/66357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/comments?post=66357"}],"version-history":[{"count":5,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/66357\/revisions"}],"predecessor-version":[{"id":66362,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/66357\/revisions\/66362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media\/64239"}],"wp:attachment":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media?parent=66357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/categories?post=66357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/tags?post=66357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}