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The award aims to encourage and give visibility to quality home entertainment Dvd and Blu-Ray from around the world. The competition is open to Dvd and Blu-ray released between February 2018 and February 2019 of important films made before 1989 (at least thirty years ago) and thus generally in line with the festival\u2019s theme. The awards are divided into five categories: Best Dvd\/Blu-ray (The Peter Von Bagh Award), Best Single Release, Best Special Features (bonus), Best Rediscovery of a Forgotten Film, Best Series\/Best Box.<\/p>\n
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Paolo Mereghetti<\/strong> and Gian Luca Farinelli<\/strong>, director of Cineteca di Bologna, pre-selected 30 finalists. The new jury, composed of\u00a0Lorenzo Codelli<\/strong>, Philippe Garnier<\/strong>, Pamela Hutchinson<\/strong>, Miguel Mar\u00edas<\/strong>, Shivendra Singh Dungarpur<\/strong> chaired by Paolo Mereghetti, will assign the DVD Awards. The award ceremony will take place during the festival.<\/p>\n <\/p>\n Best Special Features<\/b><\/p>\n GIORNATA NERA PER L\u2019ARIETE<\/b><\/i> (Italy, 1971) by Luigi Bazzoni \u2013 Arrow Films (blu-ray) Arrow Films gives its best treatment to two Italian ‘gialli’, both forgotten exactly like their auteurs: LA DONNA DEL LAGO (1965) by Luigi Bazzoni and Franco Rossellini and THE MAN WHO CHEATED HIMSELF<\/b><\/i> (USA, 1950) by Felix E. Feist \u2013 Flicker Alley\/Film Noir Foundation\/UCLA (blu-ray + dvd)<\/b><\/p>\n The Film Noir Foundation gives its usual treatment to another underestimated gem from a lost genre. This time directed by an auteur<\/i> being rediscovered this week by Il Cinema Ritrovato: Best Box Set<\/b><\/p>\n INGMAR BERGMAN\u2019S CINEMA<\/b><\/i> (Sweden, 1946-2003) \u2013 Criterion Collection (blu-ray)<\/b><\/p>\n The most obvious choice of this year, but what’s not to like in this hefty box of a heavyweight of cinema? A 37-film survey spanning Bergman’s entire career, 30 Blu-ray disks, 2 feature-length documentaries, over 5 hours of interviews of Bergman and his collaborators, plus a 248-page book…The quality, and above all the variety of the bonus material makes this box a keeper in any library. Best Rediscovery of a Forgotten Film<\/b><\/p>\n PIONEERS: FIRST WOMEN FILMMAKERS <\/b><\/i>(USA, 1911-1929) \u2013 Kino Lorber (blu-ray)<\/b><\/p>\n This impeccably curated box set rediscovers not just a film, but a whole generation of filmmakers whose work has been overlooked. Films by relatively familiar names such as Alice Guy, Mabel Normand, Alla Nazimova and Lois Weber, which have been hard to find for decades, are now finally available on Blu-ray with fresh scores, notes and commentaries. And happily, they are supported by films from those directors\u2019 lesser-sung peers, including Ida May Park, Cleo Madison and Marion E Wong. The special features go a long way to putting these filmmakers back in their proper context \u2013 at the heart of the silent era. Best Single Film Release<\/b><\/p>\n D\u00c9MANTY NOCI \/ DIAMONDS OF THE NIGHT<\/b><\/i> (Czechoslovakia, 1964) by Jan N\u011bmec \u2013 Second Run (blu-ray)<\/b><\/p>\n I was very impressed by Second Run\u2019s Blu-Ray edition of Jan Nemec\u2019s masterpiece and debut feature film Diamonds of the Night<\/i>, that has the unforgettable single long tracking opening sequence. The entire presentation including the special features, like Nemec\u2019s debut short film Loaf of Bread<\/i> and the booklet, gave the film a context and an understanding of this remarkable filmmaker of the Czech New Wave. <\/p>\n VIDA EN SOMBRAS<\/b><\/i> (Spain, 1948-1953) by Lloren\u00e7 Llobet Gr\u00e0cia \u2013 Filmoteca de Catalunya\/Intermedio (dvd)<\/b><\/p>\n A unique, unsuspected, almost \u2018New Wave\u2019 film in the Spanish Cinema of the 40s. It is practically the autobiography of a cinephile who was already a Hitchcock fan in 1947. The Peter von Bagh Award<\/b><\/p>\n NON CONTATE SU DI NOI<\/b><\/i> (Italy, 1978) by Sergio Nuti \u2013 Penny Video\/Cineteca Nazionale\/Cineploit (blu-ray + dvd)<\/b>.<\/p>\n Among the many qualities of Peter Von Bagh there was certainly curiosity, the desire to discover little to unknown films, to take the adventurous and unusual path. Because of this, we decided to give this award to an \u201cunknown\u201d film: Don\u2019t Count on Us <\/i>by Sergio Nuti. Don\u2019t Count on Us <\/i>was released in 1978 and tells the story of a young musician and a drug addicted girl, giving way to a love story that intertwines with the drama related to drugs. It immediately disappeared from theaters because it is an unusual and painful film set about the Primavalle neighborhood that was far from the reassuring logic that then dominated Italian cinema. Today, the story finally returns, restored by the Centro Sperimentale di Cinematografia \u2013 Cineteca Nazione in collaboration with Penny Video. PERSONAL CHOICES<\/b><\/p>\n Lorenzo Codelli<\/b><\/p>\n WOODFALL: A REVOLUTION IN BRITISH CINEMA (UK, 1959-1965) by Tony Richardson, Karel Reisz, Richard Lester, Desmond Davis \u2013 BFI (blu-ray)<\/b><\/p>\n An extraordinary slice of film history is captured as a whole by this boxset. Not to be missed another Woodfall treat also made by BFI: RED, WHITE AND ZERO<\/i>, directed by Peter Brook, Lindsay Anderson and Tony Richardson.<\/p>\n Shivendra Singh Dungapur<\/b><\/p>\n \u010cERN\u00dd PETR (Czechoslovakia, 1963) by Milo\u0161 Forman \u2013 N\u00e1rodn\u00ed filmov\u00fd archiv (blu-ray)<\/b><\/p>\n PR\u00cdPAD BARNAB\u00c1\u0160 KOS (Czechoslovakia, 1964) by Peter Solan \u2013 Slovensk\u00fd filmov\u00fd \u00fastav (blu-ray)<\/b><\/p>\n Its a very well brought out Blue Ray with Special features as people for the first time internationally will get to know the work of this great Slovakian Film maker Peter Solan.<\/p>\n Philippe Garnier<\/b><\/p>\n JARMAN VOL.1: 1972-1986<\/i> (UK, 1972-1986) by Derek Jarman \u2013 BFI (blu-ray)<\/p>\n <\/b>Exactly what a well-conceived 5-disk video box can achieve for a viewer: immersing them in the world and work of an artist whose films they barely ever watched, and probably won’t again. But, in meeting this 50-year old punkette or this production designer or choreographer you get to understand Jarman’s system, who always found a way, but above all a specific place, to shoot this or that project. I can’t wait for volume 2.<\/p>\n Pamela Hutchinson<\/b><\/p>\n MAY ZETTERLING: COMPLETE FILMWORKS <\/b>(Sweden, 1964-1986) \u2013 Studio S Entertainment (dvd)<\/p>\n A revelatory collection of work by a brilliant feminist filmmaker.<\/p>\n Miguel Mar\u00edas<\/b><\/p>\n L\u2019ENFANT SECRET<\/i> (France, 1979) by Philippe Garrel \u2013 RE:VOIR (blu-ray + dvd)<\/b><\/p>\n A great turning point in Garrel’s career, and one of the best transfers in black and white.\n <\/p>\n Paolo Mereghetti<\/b><\/p>\n SAMUEL FULLER AT COLUMBIA<\/i>, 1937-1961 (USA, 1937-1961) \u2013 Powerhouse Films (blu-ray)<\/b><\/p>\n Powerhouse Film collected seven films made by Fuller when he was under contract at Columbia in a nice Blu-ray box set. Inside there are some of his extraordinary directional works like The Crimson Kimono <\/i>and Underworld USA <\/i>as well as the films in which he collaborated as a screenwriter like the well-known Shockproof <\/i>by Douglas Sirk or less seen films like It Happened in Hollywood <\/i>by Harry Lachman, Power of the Press <\/i>by Lews Lenders or Adventure in Sahara<\/i> by Ross Ledermann. To compliment the films, there are rich extra materials, including some interesting interviews with Fuller and a critical intervention by Martin Scorsese.<\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Sorry, this entry is only available in Italiano. Il premio intende dare visibilit\u00e0 e incentivare i Dvd e i Blu-ray di qualit\u00e0 realizzati in tutto il mondo nel settore dell\u2019home entertainment. Al concorso partecipano Dvd e Blu-ray pubblicati tra febbraio 2018 e febbraio 2019, relativi a film di acclamata importanza e di produzione anteriore al […]<\/p>\n","protected":false},"author":3,"featured_media":52337,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1336],"tags":[192],"class_list":["post-52299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-dvd-awards"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/52299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/comments?post=52299"}],"version-history":[{"count":2,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/52299\/revisions"}],"predecessor-version":[{"id":52339,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/52299\/revisions\/52339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media\/52337"}],"wp:attachment":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media?parent=52299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/categories?post=52299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/tags?post=52299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n <\/b>LA DONNA DEL LAGO<\/b><\/i> (Italy, 1965) by Luigi Bazzoni, Franco Rossellini \u2013 Arrow Films (blu-ray)<\/b><\/p>\n
\n GIORNATA NERA PER L’ARIETE (1971) di Luigi Bazzoni. Restored in 2K and enriched by a smorgasbord of bonus, commentaries, interviews, while using a methodic approach rarely attempted in the country which once upon a time exported genre films all over the world.(Lorenzo Codelli)<\/p>\n
\n THE MAN WHO CHEATED HIMSELF (1950) by Felix E. Feist. Among the Blu-ray\u2019s countless bonus features, the detailed searches for each locations\u2019 past, present, and ‘soul’, are fascinating.
\n (Lorenzo Codelli)<\/p>\n
\n (Philippe Garnier)<\/p>\n
\n (Pamela Hutchinson)<\/p>\n
\n (Shivendra Singh Dungapur)<\/p>\n
\n (Miguel Mar\u00edas)<\/p>\n
\n (Paolo Mereghetti)<\/p>\n