{"id":48942,"date":"2019-05-23T13:51:57","date_gmt":"2019-05-23T11:51:57","guid":{"rendered":"http:\/\/ilcinemaritrovato.it\/?p=48942"},"modified":"2019-06-12T19:30:22","modified_gmt":"2019-06-12T17:30:22","slug":"aspettando-il-cinema-ritrovato-georges-franju-documentario-oltre-il-reale","status":"publish","type":"post","link":"https:\/\/ilcinemaritrovato.it\/en\/aspettando-il-cinema-ritrovato-georges-franju-documentario-oltre-il-reale\/","title":{"rendered":"Waiting for Il Cinema Ritrovato: &#8220;Georges Franju: beyond reality&#8221;"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify\"><strong>Georges Franju<\/strong>, who co-founded the Cin\u00e9math\u00e8que fran\u00e7aise, devoted a great deal of energy to ensuring the recognition of scientific filmmaking. It is in this apparently marginal category of the seventh art that he found the key to the mechanisms of fear in the cinema. <!--more-->Indeed, long before making his own unforgettable and unique feature films, he had discovered that \u201cthe strange is only what is familiar, seen suddenly in a new light.\u201d Each of his thirteen short films is based on this premise. He never subverts a commission. He plays the game. He enquires into the modern world and it is there that he finds fear and horror. Unfailingly, he puts his finger on the pulse of the era, before or after the war \u2013 as in <em>Le Sang des b\u00eates<\/em> which speaks of everyday, professional mass murder. His films speak of science and of death, of destroying the past and the planet, of the wonder of magic, tragedy, and dreams. \u201cI am,\u201d he said, \u201ca realist and therefore a surrealist.\u201d<\/p>\n<p>More informations about this section <a href=\"https:\/\/ilcinemaritrovato.it\/en\/sezione\/georges-franju-documentario-oltre-il-reale\/\">here<\/a>.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Italiano. Cofondatore della Cin\u00e9math\u00e8que fran\u00e7aise, Georges Franju lavor\u00f2 a lungo per tramandare il patrimonio del cinema scientifico, e fu in questo ambito apparentemente marginale della settima arte che scopr\u00ec i segreti meccanismi della paura al cinema.<\/p>\n","protected":false},"author":3,"featured_media":48946,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1336],"tags":[384,1283],"class_list":["post-48942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-cinematheque-francaise","tag-georges-franju"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/48942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/comments?post=48942"}],"version-history":[{"count":3,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/48942\/revisions"}],"predecessor-version":[{"id":48945,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/posts\/48942\/revisions\/48945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media\/48946"}],"wp:attachment":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media?parent=48942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/categories?post=48942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/tags?post=48942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}