{"id":82086,"date":"2025-06-10T10:53:49","date_gmt":"2025-06-10T08:53:49","guid":{"rendered":"https:\/\/ilcinemaritrovato.it\/?page_id=82086"},"modified":"2025-06-12T16:29:58","modified_gmt":"2025-06-12T14:29:58","slug":"pubblicazioni-2025","status":"publish","type":"page","link":"https:\/\/ilcinemaritrovato.it\/en\/pubblicazioni-2025\/","title":{"rendered":"PUBLICATIONS 2025"},"content":{"rendered":"<p><a href=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/CR22_Copertina.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-68814\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/CR22_Copertina-262x300.jpg\" alt=\"\" width=\"200\" height=\"229\" \/><\/a><strong>IL CINEMA RITROVATO 2023<\/strong><br \/>\n<strong>FESTIVAL\u00a0CATALOGUE<\/strong> | Book, pp. 448<\/p>\n<p>Our catalogue is more than a guide to our films! It\u2019s an essential part of the festival, an encyclopedia of knowledge which arouse curiosity, put the films in their proper historical context and preserve the memory of the films seen. Please note that the information in the catalogue is also available online.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/vampyr-copia-2-e1654587451452.jpg\" data-rel=\"lightbox-image-1\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-68893\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/vampyr-copia-2-218x300.jpg\" alt=\"\" width=\"200\" height=\"275\" \/><\/a>VAMPYR<br \/>\n<\/strong>by Carl Theodor Dreyer | 2 Dvd + Booklet<strong><br \/>\n<\/strong><\/p>\n<p>One of the great films in the history of cinema, one of the most enigmatic and engaging adventures that the eyes of spectators have ever beheld, and one of the most significant restorations by Cineteca di Bologna.<br \/>\nDirected by Dreyer in 1931 and loosely based on some of Sheridan Le Fanu\u2019s stories, <em>Vampyr<\/em> is a horror film, a fantasy film, a film of fog, luminescence, few words and terrifying noises. The young Allan Gray, alone in a foreign country (perhaps a dream, perhaps his unconscious), immersed in an eternal twilight, will have to face evil signs, ambiguous shadows, mysterious deaths, obscure characters to triumph over the occult and the invisible vampire in order to return to light and love.<br \/>\nRestored by Deutsche Kinemathek and Cineteca di Bologna in collaboration with ZDF\/ARTE and Det Danske Filminstitut, at L\u2019Immagine Ritrovata laboratory. With the music of Wolfgang Zeller restored by Timothy Brock and performed by the Orchestra of Teatro Comunale di Bologna conducted by him.<\/p>\n<p><a href=\"http:\/\/cinestore.cinetecadibologna.it\/bookshop\/dettaglio\/160\">BUY ON CINESTORE<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/FINK.jpg\" data-rel=\"lightbox-image-2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-68895\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/FINK-209x300.jpg\" alt=\"\" width=\"200\" height=\"287\" srcset=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/FINK-209x300.jpg 209w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/FINK-715x1024.jpg 715w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/FINK-768x1101.jpg 768w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/FINK-600x860.jpg 600w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/FINK.jpg 778w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>LA DOPPIA PORTA DEI SOGNI<br \/>\nScritti di cinema<br \/>\n<\/strong><strong>di Guido Fink<br \/>\n<\/strong>curated by Alessandra Calanchi and Paola Cristalli | Book, pp. 404<strong><br \/>\n<\/strong><\/p>\n<p>From Whitman to Griffith, stopping by Allen Ginsberg along the way; from Shakespeare to sophisticated comedy, passing through Karen Blixen; from Antonioni to Gianni Celati to David Grossman; from Poe\u2019s purloined letter to Joseph Mankiewicz\u2019s letter to three wives, with a Lacanian detour; from Northrop Frye to Hitchcock; from <em>Tutti a casa<\/em> to <em>La vita \u00e8 bella<\/em>, in search of the Jewish presence in Italian cinema; from Paolo Stoppa to Woody Allen, via Delmore Schwartz and Charlie Chaplin.<br \/>\nThis book is a collection of essays written between the late 1970s and early 2000s, offering Guido Fink\u2019s \u201chistory of film\u201d. A compendium of his inimitable style and his radical approach to criticism and research, weaving together unexpected relationships and calmly exploring frontiers with his cosmopolitan cultural perspective. Not merely a collection of essays, these writings are also exquisitely crafted stories because during Fink\u2019s time he alone treated film criticism as a literary genre, with princely (Lubitschian) naturalness and ironic understatement.<\/p>\n<p><a href=\"http:\/\/cinestore.cinetecadibologna.it\/bookshop\/dettaglio\/161\" target=\"_blank\" rel=\"noopener\">BUY ON CINESTORE<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/WCP_copertina.jpg\" data-rel=\"lightbox-image-3\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-68892\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/WCP_copertina-220x300.jpg\" alt=\"\" width=\"200\" height=\"273\" srcset=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/WCP_copertina-220x300.jpg 220w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/WCP_copertina-600x818.jpg 600w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/WCP_copertina.jpg 662w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Martin Scorsese presenta<br \/>\n<\/strong><strong>WORLD CINEMA PROJECT vol. 1<br \/>\n<\/strong>curated by Cecilia Cenciarelli | 3 Dvd + Booklet<\/p>\n<p>For more than 30 years Martin Scorsese has contributed to spreading the culture of film preservation and restoration with The Film Foundation. He extended this mission in 2007 with the creation of the World Cinema Project, which restores films from geographical areas that lack the training, funding or technology to preserve properly their motion picture history.<br \/>\nCineteca di Bologna and L\u2019Immagine Ritrovata laboratory have always played an active part in the project, helping to preserve, restore and present the films.<br \/>\nThis box set contains five emblematic masterpieces from Cuba, Senegal, the Philippines, Iran and Taiwan: <em>Memories of Underdevelopment<\/em> (1968) by Tom\u00e1s Guti\u00e9rrez Alea, <em>Touki Bouki<\/em> (1973) by Djibril Diop Mamb\u00e9ty, <em>Manila in the Claws <\/em><em>of Light<\/em> (1975) by Lino Brocka, <em>Chess of the Wind<\/em> (1976) by Mohammad Reza Aslani and <em>Taipei Story<\/em> (1985) by Edward Yang.The booklet contains film descriptions, director profiles and interviews, and an unpublished piece written by Martin Scorsese.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/folgorazioni.jpg\" data-rel=\"lightbox-image-4\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-68894\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/folgorazioni-260x300.jpg\" alt=\"\" width=\"200\" height=\"231\" srcset=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/folgorazioni-260x300.jpg 260w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/folgorazioni-888x1024.jpg 888w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/folgorazioni-768x886.jpg 768w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/folgorazioni-600x692.jpg 600w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/folgorazioni-800x923.jpg 800w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/folgorazioni.jpg 983w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>PIER PAOLO PASOLINI. FOLGORAZIONI FIGURATIVE<\/strong><br \/>\ncurated by Marco Antonio Bazzocchi, Roberto Chiesi, Gian Luca Farinelli | Book, pp. 312<\/p>\n<p>In 1962, Pier Paolo Pasolini dedicated his second film,<em> Mamma Roma<\/em>, to Roberto Longhi, the professor he had studied with in Bologna 20 years earlier. Pasolini claimed he was indebted to him for a \u201cfigurative epiphany\u201d. The images that Longhi projected in the classroom and the details of Masaccio\u2019s works had struck a chord with the young student.<br \/>\nThis book explores the formative years of Pasolini, as painter and poet, up to his film debut and success as an intellectual and director. Each Pasolini film is examined with an eye to those \u201cfigurative epiphanies\u201d of his education. Pasolini\u2019s cinema depicted Italy\u2019s anthropological transformation, from the postwar period to the years of middle-class neo-capitalism. And it all started with the black-and-white reproductions that a student not yet 20 had observed in a small classroom on Via Zamboni.<\/p>\n<p><a href=\"http:\/\/cinestore.cinetecadibologna.it\/bookshop\/dettaglio\/159\" target=\"_blank\" rel=\"noopener\">BUY ON CINESTORE<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-scaled.jpg\" data-rel=\"lightbox-image-5\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-68891\" src=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/sites\/2\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-191x300.jpg\" alt=\"\" width=\"200\" height=\"314\" srcset=\"https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-191x300.jpg 191w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-652x1024.jpg 652w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-768x1206.jpg 768w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-978x1536.jpg 978w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-1304x2048.jpg 1304w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-600x942.jpg 600w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-800x1256.jpg 800w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-1600x2512.jpg 1600w, https:\/\/ilcinemaritrovato.it\/wp-content\/uploads\/2022\/06\/PASOLINI_BOLOGNA_Copertina1-scaled.jpg 1630w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>PASOLINI E BOLOGNA. GLI ANNI DELLA FORMAZIONE E I RITORNI<\/strong><br \/>\ncurated by Marco Antonio Bazzocchi, Roberto Chiesi | Book, pp. 384<\/p>\n<p>Bologna is the city where Pasolini was born (on March 1922) and where he experienced the most intense years of his education. This book attempts to reconstruct the origins of Pasolini\u2019s culture and imagination. Bologna in the late 1930s and early 1940s was the place where Pasolini encountered people of great influence such as Roberto Longhi, but it was also a city under the fascist regime, which the young poet initially endured as a reflection of paternal authority and against which he would rebel.<br \/>\nThe book contains a vast selection of Pasolini\u2019s early writings related to his years of study, but also works connected to his frequent returns to his hometown for the magazine \u201cOfficina\u201d, for speeches at conferences and debates, and for shooting films such as <em>Comizi d\u2019amore<\/em>, <em>Edipo re<\/em> and <em>Sal\u00f2<\/em>. \u201cHistorical\u201d texts by Renzo Renzi, Laura Betti and Fabio Mauri open and close the book, which also includes essays by Marco Antonio Bazzocchi, Stefano Casi, Andrea Cerica, Roberto Chiesi and Anna Tonelli.<\/p>\n<p><a href=\"http:\/\/cinestore.cinetecadibologna.it\/bookshop\/dettaglio\/158\" target=\"_blank\" rel=\"noopener\">BUY ON CINESTORE<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>IL CINEMA RITROVATO 2023 FESTIVAL\u00a0CATALOGUE | Book, pp. 448 Our catalogue is more than a guide to our films! It\u2019s an essential part of the festival, an encyclopedia of knowledge which arouse curiosity, put the films in their proper historical context and preserve the memory of the films seen. Please note that the information in [&hellip;]<\/p>\n","protected":false},"author":39,"featured_media":0,"parent":0,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"page-templates\/stripes.php","meta":{"footnotes":""},"class_list":["post-82086","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/pages\/82086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/comments?post=82086"}],"version-history":[{"count":15,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/pages\/82086\/revisions"}],"predecessor-version":[{"id":83006,"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/pages\/82086\/revisions\/83006"}],"wp:attachment":[{"href":"https:\/\/ilcinemaritrovato.it\/en\/wp-json\/wp\/v2\/media?parent=82086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}